Package leaflet · Information for the musician · Chord
B Diminished Chord (Bdim)
Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.
- Bdim
- 3 notes
- x20401
1Composition: what it contains
B – D – F
- Symbol
- Bdim
- Also written
- Bdim, B°, Bm♭5, Bmi(♭5)
- Formula
- 1 ♭3 ♭5
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | B | unison | 0 |
| ♭3 | D | minor third | 3 |
| ♭5 | F | diminished fifth | 6 |
2Appearance: diagrams and sound
On the guitar
x20401open positionx2343xfret 2xx9767fret 6x-x-9-10-12-10fret 9On the ukulele
4212fret 14575fret 410-11-10-8fret 8On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.
4Dosage: how to practise it
On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.
5Warnings and common mistakes
Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · Bdim/D · D – F – B
- Inversion 2 · Bdim/F · F – B – D
Scales to play over Bdim
- B Locrian Mode
- B Blues Scale
- B Half-Whole Diminished Scale
- B Whole-Half Diminished Scale
- B Hungarian Minor Scale
- B Altered Scale
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Cdim C♯dim Ddim E♭dim Edim Fdim F♯dim Gdim A♭dim Adim B♭dim
Other chords on B
B Bm Baug Bsus2 Bsus4 B5 B6 Bm6 B7 Bmaj7 Bm7 Bm7♭5 Bdim7 Bm(maj7) B7sus4 Badd9 Bm(add9) B6/9 B9 Bmaj9 Bm9 B11 Bm11 B13 B7♭9 B7♯9 B7♯5 B7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.