Package leaflet · Information for the musician · Chord
C Diminished Chord (Cdim)
Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.
- Cdim
- 3 notes
- x3454x
1Composition: what it contains
C – E♭ – G♭
- Symbol
- Cdim
- Also written
- Cdim, C°, Cm♭5, Cmi(♭5)
- Formula
- 1 ♭3 ♭5
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | C | unison | 0 |
| ♭3 | E♭ | minor third | 3 |
| ♭5 | G♭ | diminished fifth | 6 |
2Appearance: diagrams and sound
On the guitar
x3454xfret 3x-x-10-8-7-8fret 7x-x-10-11-13-11fret 10On the ukulele
5323fret 25686fret 511-12-11-9fret 9On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.
4Dosage: how to practise it
On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.
5Warnings and common mistakes
Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · Cdim/E♭ · E♭ – G♭ – C
- Inversion 2 · Cdim/G♭ · G♭ – C – E♭
Scales to play over Cdim
- C Locrian Mode
- C Blues Scale
- C Half-Whole Diminished Scale
- C Whole-Half Diminished Scale
- C Hungarian Minor Scale
- C Altered Scale
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
C♯dim Ddim E♭dim Edim Fdim F♯dim Gdim A♭dim Adim B♭dim Bdim
Other chords on C
C Cm Caug Csus2 Csus4 C5 C6 Cm6 C7 Cmaj7 Cm7 Cm7♭5 Cdim7 Cm(maj7) C7sus4 Cadd9 Cm(add9) C6/9 C9 Cmaj9 Cm9 C11 Cm11 C13 C7♭9 C7♯9 C7♯5 C7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.