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Package leaflet · Information for the musician · Chord

C Seventh Sharp Nine Chord (C7♯9)

Gritty, funky and aggressive. The sharp ninth rubs against the major third, combining major and minor colours in one chord.

  • C7♯9
  • 5 notes
  • x31310

1Composition: what it contains

C – E – G – B♭ – D♯

Symbol
C7♯9
Also written
C7♯9, C7(♯9), C7+9
Formula
1 3 5 ♭7 ♯9
DegreeNoteIntervalSemitones
1Cunison0
3Emajor third4
5Gperfect fifth7
♭7B♭minor seventh10
♯9D♯augmented ninth15

2Appearance: diagrams and sound

On the guitar

C Seventh Sharp Nine Chord (C7♯9) – guitar chord diagram 1 (x31310)
x31310open position
C Seventh Sharp Nine Chord (C7♯9) – guitar chord diagram 2 (x3234x)
x3234xfret 2
C Seventh Sharp Nine Chord (C7♯9) – guitar chord diagram 3 (865556)
865556fret 5
C Seventh Sharp Nine Chord (C7♯9) – guitar chord diagram 4 (8-10-8-9-8-11)
8-10-8-9-8-11fret 8

On the ukulele

C Seventh Sharp Nine Chord (C7♯9) – ukulele chord diagram 1 (3303)
3303open position
C Seventh Sharp Nine Chord (C7♯9) – ukulele chord diagram 2 (5466)
5466fret 4
C Seventh Sharp Nine Chord (C7♯9) – ukulele chord diagram 3 (8-10-8-7)
8-10-8-7fret 7

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Famous in rock, funk, blues-rock and soul as a tonic dominant chord with attitude, and in jazz as an altered V7 resolving to I or i. Its sharp ninth is enharmonic to the minor third, so it suits minor-pentatonic soloing over a dominant groove. In jazz, the altered scale or half-whole diminished scale fits over it. It frequently appears in blues and funk vamps and as the V chord in minor ii–V–i progressions.

4Dosage: how to practise it

On guitar, learn the classic shape rooted on the fifth string (root, 3, ♭7, ♯9) and practise funk rhythms at 90–120 BPM, muting between hits. On piano, play the left-hand voicing 3-♭7-♯9 and the right-hand altered voicings. Practise iiø7–V7♯9–im and a twelve-bar blues with every chord as 7♯9. Arpeggiate the chord. Five to ten minutes daily. On piano, practise comping with short, accented hits. Try improvising with the blues scale over a 7♯9 vamp, then with the altered scale, to hear both colours.

5Warnings and common mistakes

The sharp ninth is not a minor third: it sits above the major third, which must also be present. Do not confuse 7♯9 with m7, which has no major third. Avoid placing the ♯9 below the third in voicings, which turns the sound into a muddy minor chord. In a major ii–V–I, the sharp ninth may clash with a melody containing the natural ninth. The symbol '7+9' is ambiguous; prefer 7♯9.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · C7♯9/E · E – G – B♭ – D♯ – C
  • Inversion 2 · C7♯9/G · G – B♭ – D♯ – C – E
  • Inversion 3 · C7♯9/B♭ · B♭ – D♯ – C – E – G
  • Inversion 4 · C7♯9/D♯ · D♯ – C – E – G – B♭

Scales to play over C7♯9

7Other presentations available

The same chord from every note

C♯7♯9 D7♯9 E♭7♯9 E7♯9 F7♯9 F♯7♯9 G7♯9 A♭7♯9 A7♯9 B♭7♯9 B7♯9

Other chords on C

C Cm Cdim Caug Csus2 Csus4 C5 C6 Cm6 C7 Cmaj7 Cm7 Cm7♭5 Cdim7 Cm(maj7) C7sus4 Cadd9 Cm(add9) C6/9 C9 Cmaj9 Cm9 C11 Cm11 C13 C7♭9 C7♯5 C7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.