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Package leaflet · Information for the musician · Chord

B Seventh Sharp Nine Chord (B7♯9)

Gritty, funky and aggressive. The sharp ninth rubs against the major third, combining major and minor colours in one chord.

  • B7♯9
  • 5 notes
  • x20242

1Composition: what it contains

B – D♯ – F♯ – A – C𝄪

Symbol
B7♯9
Also written
B7♯9, B7(♯9), B7+9
Formula
1 3 5 ♭7 ♯9
DegreeNoteIntervalSemitones
1Bunison0
3D♯major third4
5F♯perfect fifth7
♭7Aminor seventh10
♯9C𝄪augmented ninth15

2Appearance: diagrams and sound

On the guitar

B Seventh Sharp Nine Chord (B7♯9) – guitar chord diagram 1 (x20242)
x20242open position
B Seventh Sharp Nine Chord (B7♯9) – guitar chord diagram 2 (754445)
754445fret 4
B Seventh Sharp Nine Chord (B7♯9) – guitar chord diagram 3 (7-9-7-8-7-10)
7-9-7-8-7-10fret 7
B Seventh Sharp Nine Chord (B7♯9) – guitar chord diagram 4 (x-14-13-14-15-x)
x-14-13-14-15-xfret 13

On the ukulele

B Seventh Sharp Nine Chord (B7♯9) – ukulele chord diagram 1 (4355)
4355fret 3
B Seventh Sharp Nine Chord (B7♯9) – ukulele chord diagram 2 (7976)
7976fret 6
B Seventh Sharp Nine Chord (B7♯9) – ukulele chord diagram 3 (14-14-11-14)
14-14-11-14fret 11

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Famous in rock, funk, blues-rock and soul as a tonic dominant chord with attitude, and in jazz as an altered V7 resolving to I or i. Its sharp ninth is enharmonic to the minor third, so it suits minor-pentatonic soloing over a dominant groove. In jazz, the altered scale or half-whole diminished scale fits over it. It frequently appears in blues and funk vamps and as the V chord in minor ii–V–i progressions.

4Dosage: how to practise it

On guitar, learn the classic shape rooted on the fifth string (root, 3, ♭7, ♯9) and practise funk rhythms at 90–120 BPM, muting between hits. On piano, play the left-hand voicing 3-♭7-♯9 and the right-hand altered voicings. Practise iiø7–V7♯9–im and a twelve-bar blues with every chord as 7♯9. Arpeggiate the chord. Five to ten minutes daily. On piano, practise comping with short, accented hits. Try improvising with the blues scale over a 7♯9 vamp, then with the altered scale, to hear both colours.

5Warnings and common mistakes

The sharp ninth is not a minor third: it sits above the major third, which must also be present. Do not confuse 7♯9 with m7, which has no major third. Avoid placing the ♯9 below the third in voicings, which turns the sound into a muddy minor chord. In a major ii–V–I, the sharp ninth may clash with a melody containing the natural ninth. The symbol '7+9' is ambiguous; prefer 7♯9.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · B7♯9/D♯ · D♯ – F♯ – A – C𝄪 – B
  • Inversion 2 · B7♯9/F♯ · F♯ – A – C𝄪 – B – D♯
  • Inversion 3 · B7♯9/A · A – C𝄪 – B – D♯ – F♯
  • Inversion 4 · B7♯9/C𝄪 · C𝄪 – B – D♯ – F♯ – A

Scales to play over B7♯9

7Other presentations available

The same chord from every note

C7♯9 C♯7♯9 D7♯9 E♭7♯9 E7♯9 F7♯9 F♯7♯9 G7♯9 A♭7♯9 A7♯9 B♭7♯9

Other chords on B

B Bm Bdim Baug Bsus2 Bsus4 B5 B6 Bm6 B7 Bmaj7 Bm7 Bm7♭5 Bdim7 Bm(maj7) B7sus4 Badd9 Bm(add9) B6/9 B9 Bmaj9 Bm9 B11 Bm11 B13 B7♭9 B7♯5 B7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.