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Package leaflet · Information for the musician · Chord

B Minor Added Ninth Chord (Bm(add9))

Wistful, tender and atmospheric. A minor triad with an added ninth, minor colour with an open, poignant shimmer.

  • Bm(add9)
  • 4 notes
  • x20422

1Composition: what it contains

B – D – F♯ – C♯

Symbol
Bm(add9)
Also written
Bmadd9, Bm(add9), B-add9, Bmadd2
Formula
1 ♭3 5 9
DegreeNoteIntervalSemitones
1Bunison0
♭3Dminor third3
5F♯perfect fifth7
9C♯major ninth14

2Appearance: diagrams and sound

On the guitar

B Minor Added Ninth Chord (Bm(add9)) – guitar chord diagram 1 (x20422)
x20422open position
B Minor Added Ninth Chord (Bm(add9)) – guitar chord diagram 2 (74477x)
74477xfret 4
B Minor Added Ninth Chord (Bm(add9)) – guitar chord diagram 3 (799779)
799779fret 7
B Minor Added Ninth Chord (Bm(add9)) – guitar chord diagram 4 (x-14-12-11-14-x)
x-14-12-11-14-xfret 11

On the ukulele

B Minor Added Ninth Chord (Bm(add9)) – ukulele chord diagram 1 (4224)
4224fret 2
B Minor Added Ninth Chord (Bm(add9)) – ukulele chord diagram 2 (7674)
7674fret 4

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Used in pop ballads, film scores, worship music, ambient, post-rock and progressive rock as a more emotional version of a minor chord, typically on i, iv or vi. The ninth rubbing against the minor third gives a bittersweet tension. It is easy to play on guitar with open strings and popular in arpeggiated intros. In jazz it is less common than m9, which adds the seventh. Aeolian or Dorian scales fit over it.

4Dosage: how to practise it

On guitar, learn the stretch shape rooted on the fifth string and the open-string versions; arpeggiate them slowly at 60–80 BPM so every note rings. On piano, play root-2-♭3-5 in close position, then spread versions (root-5 in the left hand, 9-♭3 in the right). Practise progressions such as i–VI–III–VII with madd9 on minor chords. Five minutes a day, comparing m, madd9 and m9. On bass, stay on the root and fifth and let the guitar or piano carry the ninth.

5Warnings and common mistakes

Do not confuse madd9 with m9, which includes the flat seventh. The ninth sits a half step above the minor third in close position, which can sound clashing; spread the voicing if it sounds too dense. The guitar stretch can be hard for small hands; build up slowly to avoid strain. Check that you are not playing a major third by mistake when adapting add9 shapes.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · Bm(add9)/D · D – F♯ – C♯ – B
  • Inversion 2 · Bm(add9)/F♯ · F♯ – C♯ – B – D
  • Inversion 3 · Bm(add9)/C♯ · C♯ – B – D – F♯

Scales to play over Bm(add9)

7Other presentations available

The same chord from every note

Cm(add9) C♯m(add9) Dm(add9) E♭m(add9) Em(add9) Fm(add9) F♯m(add9) Gm(add9) A♭m(add9) Am(add9) B♭m(add9)

Other chords on B

B Bm Bdim Baug Bsus2 Bsus4 B5 B6 Bm6 B7 Bmaj7 Bm7 Bm7♭5 Bdim7 Bm(maj7) B7sus4 Badd9 B6/9 B9 Bmaj9 Bm9 B11 Bm11 B13 B7♭9 B7♯9 B7♯5 B7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.