Package leaflet · Information for the musician · Chord
B Major Chord (B)
Stable, bright and complete. The basic consonant triad of Western music: root, major third and perfect fifth.
- B
- 3 notes
- x21402
1Composition: what it contains
B – D♯ – F♯
- Symbol
- B
- Also written
- B, BM, Bmaj, BΔ
- Formula
- 1 3 5
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | B | unison | 0 |
| 3 | D♯ | major third | 4 |
| 5 | F♯ | perfect fifth | 7 |
2Appearance: diagrams and sound
On the guitar
x21402open positionx24442fret 2764447fret 4799877fret 7x-x-9-11-12-11fret 9On the ukulele
4322fret 24676fret 48676fret 6On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The I, IV and V chords of every major key are major triads, so it is the backbone of pop, rock, folk, country, gospel and classical harmony. In minor keys it appears as III, VI and VII, and as the major V chord borrowed from harmonic minor. Progressions like I–IV–V, I–V–vi–IV and I–♭VII–IV rely on it. It can be replaced by a major seventh, sixth, add9 or 6/9 chord for a richer colour, or by its relative minor (vi for I) in reharmonisation.
4Dosage: how to practise it
On guitar, learn the open shapes first, then the barre shapes with the root on the sixth and fifth strings, and finally the small triad shapes on the top three strings in all three inversions. On piano, play root position, first and second inversion with each hand at 60 BPM, then move through I–IV–V with the smoothest voice leading. On bass, arpeggiate 1-3-5-8 and back. Spend five minutes daily switching between two chords on every beat, raising the tempo by 5 BPM when the change is clean.
5Warnings and common mistakes
Do not confuse it with the minor triad: only the third changes, and that one half step changes everything. Doubling the third in thick voicings can sound heavy; double the root or fifth instead. On guitar, check that the third is actually present in power-chord-like shapes. A chord symbol with just the letter means major: an 'M' or 'maj' written alone is the same chord, but 'M7' or 'maj7' adds a seventh.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · B/D♯ · D♯ – F♯ – B
- Inversion 2 · B/F♯ · F♯ – B – D♯
Scales to play over B
- B Major Scale
- B Lydian Mode
- B Mixolydian Mode
- B Major Pentatonic Scale
- B Major Blues Scale
- B Half-Whole Diminished Scale
- B Phrygian Dominant Scale
- B Lydian Dominant Scale
- B Double Harmonic Major Scale
- B Bebop Dominant Scale
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Other chords on B
Bm Bdim Baug Bsus2 Bsus4 B5 B6 Bm6 B7 Bmaj7 Bm7 Bm7♭5 Bdim7 Bm(maj7) B7sus4 Badd9 Bm(add9) B6/9 B9 Bmaj9 Bm9 B11 Bm11 B13 B7♭9 B7♯9 B7♯5 B7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.