Package leaflet · Information for the musician · Chord
F sharp Major Chord (F♯)
Stable, bright and complete. The basic consonant triad of Western music: root, major third and perfect fifth.
- F♯
- 3 notes
- 244322
1Composition: what it contains
F♯ – A♯ – C♯
- Symbol
- F♯
- Also written
- F♯, F♯M, F♯maj, F♯Δ
- Formula
- 1 3 5
- Same sound as
- G♭
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | F♯ | unison | 0 |
| 3 | A♯ | major third | 4 |
| 5 | C♯ | perfect fifth | 7 |
2Appearance: diagrams and sound
On the guitar
244322fret 2xx4676fret 4x98676fret 6x-9-11-11-11-9fret 914-13-11-11-11-14fret 11On the ukulele
3121fret 13664fret 36669fret 6On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The I, IV and V chords of every major key are major triads, so it is the backbone of pop, rock, folk, country, gospel and classical harmony. In minor keys it appears as III, VI and VII, and as the major V chord borrowed from harmonic minor. Progressions like I–IV–V, I–V–vi–IV and I–♭VII–IV rely on it. It can be replaced by a major seventh, sixth, add9 or 6/9 chord for a richer colour, or by its relative minor (vi for I) in reharmonisation.
4Dosage: how to practise it
On guitar, learn the open shapes first, then the barre shapes with the root on the sixth and fifth strings, and finally the small triad shapes on the top three strings in all three inversions. On piano, play root position, first and second inversion with each hand at 60 BPM, then move through I–IV–V with the smoothest voice leading. On bass, arpeggiate 1-3-5-8 and back. Spend five minutes daily switching between two chords on every beat, raising the tempo by 5 BPM when the change is clean.
5Warnings and common mistakes
Do not confuse it with the minor triad: only the third changes, and that one half step changes everything. Doubling the third in thick voicings can sound heavy; double the root or fifth instead. On guitar, check that the third is actually present in power-chord-like shapes. A chord symbol with just the letter means major: an 'M' or 'maj' written alone is the same chord, but 'M7' or 'maj7' adds a seventh.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · F♯/A♯ · A♯ – C♯ – F♯
- Inversion 2 · F♯/C♯ · C♯ – F♯ – A♯
Scales to play over F♯
- F sharp Major Scale
- G flat Lydian Mode
- F sharp Mixolydian Mode
- F sharp Major Pentatonic Scale
- F sharp Major Blues Scale
- F sharp Half-Whole Diminished Scale
- F sharp Phrygian Dominant Scale
- F sharp Lydian Dominant Scale
- F sharp Double Harmonic Major Scale
- F sharp Bebop Dominant Scale
Where it appears (keys and Roman numerals)
- V – Key of B Major
- I – Key of F sharp Major
- IV – Key of C sharp Major
- IV – Key of D flat Major
- I – Key of G flat Major
- V – Key of C flat Major
- V – Key of B Minor
- VII – Key of G sharp Minor
- III – Key of D sharp Minor
- VI – Key of A sharp Minor
- VI – Key of B flat Minor
- III – Key of E flat Minor
- VII – Key of A flat Minor
7Other presentations available
The same chord from every note
Other chords on F♯
F♯m F♯dim F♯aug F♯sus2 F♯sus4 F♯5 F♯6 F♯m6 F♯7 F♯maj7 F♯m7 F♯m7♭5 F♯dim7 F♯m(maj7) F♯7sus4 F♯add9 F♯m(add9) F♯6/9 F♯9 F♯maj9 F♯m9 F♯11 F♯m11 F♯13 F♯7♭9 F♯7♯9 F♯7♯5 F♯7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.