Package leaflet · Information for the musician · Scale
F sharp Major Blues Scale
Happy but bluesy, with a twang. The flat third slides into the major third, giving a cheerful, down-home feel.
- 6 notes
- 5 ♯
- blues
1Composition: what it contains
F♯ – G♯ – A – A♯ – C♯ – D♯
- Formula
- 1 2 ♭3 3 5 6
- Steps
- W – H – H – W+H – W – W+H
- Number of notes
- 6
- Sharps and flats
- 5 ♯
- Also called
- blues major scale, country blues scale
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | F♯ | unison | 0 |
| 2 | G♯ | major second | 2 |
| ♭3 | A | minor third | 3 |
| 3 | A♯ | major third | 4 |
| 5 | C♯ | perfect fifth | 7 |
| 6 | D♯ | major sixth | 9 |
2Appearance: diagrams and sound
Tip: click any note, key or fret to hear it. Orange = root.
3Indications: what it is used for
The major pentatonic plus the flat third (1-2-♭3-3-5-6). Heard in country, country-rock, southern rock, gospel, jump blues and swing. It fits major and dominant seventh chords, I–IV–V progressions in major keys, and the I7 chord of a major-sounding blues. The ♭3-to-3 move is its signature: a slide or hammer-on from the minor third into the major third. Players often mix it with the minor blues scale to switch between sweet and gritty sounds.
4Dosage: how to practise it
Eight to ten minutes daily at 80–120 BPM over a I–IV–V or blues shuffle. Repeat the cell 2-♭3-3-5 until it is effortless, then extend it to full positions. Practise double stops (third and fifth) and slides into the major third on guitar. On piano, use the ♭3 as a crushed grace note under the major third. On bass, use it for walking lines over dominant chords. Work on phrases starting on the sixth degree and resolving to the root.
5Warnings and common mistakes
The flat third is a passing note: do not sustain it over a major chord. Do not confuse it with the minor blues scale, which uses the flat third as a chord tone and includes the flat fifth. Over the IV chord, the scale built on the tonic may still work, but check the major third against the IV chord's flat seventh. The shapes are identical to the minor blues scale from its relative minor, so keep the major root in mind.
6Interactions with chords, scales and keys
Chords that fit this scale
F♯ F♯m F♯sus2 F♯6 F♯m6 F♯add9 F♯m(add9) F♯6/9
Same notes, different starting point
7Other presentations available
The same scale from every note
- C Major Blues Scale
- D flat Major Blues Scale
- D Major Blues Scale
- E flat Major Blues Scale
- E Major Blues Scale
- F Major Blues Scale
- G Major Blues Scale
- A flat Major Blues Scale
- A Major Blues Scale
- B flat Major Blues Scale
- B Major Blues Scale
Other scales from the same note
- F sharp Major Scale
- F sharp Natural Minor Scale
- F sharp Harmonic Minor Scale
- F sharp Melodic Minor Scale
- F sharp Dorian Mode
- F sharp Phrygian Mode
- G flat Lydian Mode
- F sharp Mixolydian Mode
- F sharp Locrian Mode
- F sharp Major Pentatonic Scale
- F sharp Minor Pentatonic Scale
- F sharp Blues Scale
- G flat Whole Tone Scale
- F sharp Half-Whole Diminished Scale
- F sharp Whole-Half Diminished Scale
- F sharp Phrygian Dominant Scale
- F sharp Hungarian Minor Scale
- F sharp Lydian Dominant Scale
- F sharp Altered Scale
- F sharp Double Harmonic Major Scale
- F sharp Bebop Dominant Scale
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.