Package leaflet · Information for the musician · Scale
D sharp Blues Scale
Gritty, crying and soulful. The flat fifth between the fourth and fifth adds the classic 'blue note' tension.
- 6 notes
- 5 ♯
- blues
1Composition: what it contains
D♯ – F♯ – G♯ – A – A♯ – C♯
- Formula
- 1 ♭3 4 ♭5 5 ♭7
- Steps
- W+H – W – H – H – W+H – W
- Number of notes
- 6
- Sharps and flats
- 5 ♯
- Also called
- minor blues scale, hexatonic blues scale
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | D♯ | unison | 0 |
| ♭3 | F♯ | minor third | 3 |
| 4 | G♯ | perfect fourth | 5 |
| ♭5 | A | diminished fifth | 6 |
| 5 | A♯ | perfect fifth | 7 |
| ♭7 | C♯ | minor seventh | 10 |
2Appearance: diagrams and sound
Tip: click any note, key or fret to hear it. Orange = root.
3Indications: what it is used for
The minor pentatonic plus the flat fifth (1-♭3-4-♭5-5-♭7). It is played over the twelve-bar blues, minor blues, blues-rock, jazz blues heads, funk and soul. It fits the dominant seventh chords of a blues progression (I7–IV7–V7) and minor seventh grooves. Use the flat fifth as a chromatic passing tone between the fourth and fifth, or bend into it. It is also popular for riffs in rock and for bass lines that walk chromatically up to the fifth.
4Dosage: how to practise it
Ten minutes daily over a twelve-bar shuffle at 70–100 BPM. Play the scale in all five pentatonic positions with the added flat fifth. Practise three-note chromatic motion 4-♭5-5 and 5-♭5-4 in triplets. Learn call-and-response two-bar phrases: a question on the I chord, an answer resolving to the root. On guitar, add quarter-tone bends on the minor third. On piano, use grace notes from ♭3 to the major third and from ♭5 to 5.
5Warnings and common mistakes
The flat fifth is a passing note, not a resting note: holding it over the tonic chord sounds unresolved. Do not confuse it with the major blues scale, which adds a flat third to the major pentatonic instead. Avoid playing the scale up and down as an exercise in a real solo; it sounds mechanical. Over the V7 chord, target its third (the major seventh of the key) for a stronger sound. Spell the blue note as ♭5 in minor context, even if some sources write ♯4.
6Interactions with chords, scales and keys
Chords that fit this scale
E♭m E♭dim E♭sus4 E♭m7 E♭m7♭5 E♭7sus4
Same notes, different starting point
7Other presentations available
The same scale from every note
- C Blues Scale
- C sharp Blues Scale
- D Blues Scale
- E Blues Scale
- F Blues Scale
- F sharp Blues Scale
- G Blues Scale
- G sharp Blues Scale
- A Blues Scale
- B flat Blues Scale
- B Blues Scale
Other scales from the same note
- E flat Major Scale
- E flat Natural Minor Scale
- E flat Harmonic Minor Scale
- E flat Melodic Minor Scale
- E flat Dorian Mode
- D sharp Phrygian Mode
- E flat Lydian Mode
- E flat Mixolydian Mode
- D sharp Locrian Mode
- E flat Major Pentatonic Scale
- E flat Minor Pentatonic Scale
- E flat Major Blues Scale
- E flat Whole Tone Scale
- E flat Half-Whole Diminished Scale
- E flat Whole-Half Diminished Scale
- E flat Phrygian Dominant Scale
- E flat Hungarian Minor Scale
- E flat Lydian Dominant Scale
- D sharp Altered Scale
- E flat Double Harmonic Major Scale
- E flat Bebop Dominant Scale
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.