Package leaflet · Information for the musician · Chord
E flat Diminished Chord (E♭dim)
Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.
- E♭dim
- 3 notes
- xx1242
1Composition: what it contains
E♭ – G♭ – B𝄫
- Symbol
- E♭dim
- Also written
- E♭dim, E♭°, E♭m♭5, E♭mi(♭5)
- Formula
- 1 ♭3 ♭5
- Same sound as
- D♯dim
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | E♭ | unison | 0 |
| ♭3 | G♭ | minor third | 3 |
| ♭5 | B𝄫 | diminished fifth | 6 |
2Appearance: diagrams and sound
On the guitar
xx1242fret 1x6787xfret 6x-x-13-11-10-11fret 10On the ukulele
2320open position8656fret 58-9-11-9fret 8On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.
4Dosage: how to practise it
On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.
5Warnings and common mistakes
Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · E♭dim/G♭ · G♭ – B𝄫 – E♭
- Inversion 2 · E♭dim/B𝄫 · B𝄫 – E♭ – G♭
Scales to play over E♭dim
- D sharp Locrian Mode
- D sharp Blues Scale
- E flat Half-Whole Diminished Scale
- E flat Whole-Half Diminished Scale
- E flat Hungarian Minor Scale
- D sharp Altered Scale
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Cdim C♯dim Ddim Edim Fdim F♯dim Gdim A♭dim Adim B♭dim Bdim
Other chords on E♭
E♭ E♭m E♭aug E♭sus2 E♭sus4 E♭5 E♭6 E♭m6 E♭7 E♭maj7 E♭m7 E♭m7♭5 E♭dim7 E♭m(maj7) E♭7sus4 E♭add9 E♭m(add9) E♭6/9 E♭9 E♭maj9 E♭m9 E♭11 E♭m11 E♭13 E♭7♭9 E♭7♯9 E♭7♯5 E♭7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.