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Package leaflet · Information for the musician · Chord

E flat Six-Nine Chord (E♭6/9)

Warm, open and conclusive. A major triad with the sixth and ninth, avoiding the seventh: the classic jazz ending chord.

  • E♭6/9
  • 5 notes
  • xx1011

1Composition: what it contains

E♭ – G – B♭ – C – F

Symbol
E♭6/9
Also written
E♭6/9, E♭69, E♭6add9
Formula
1 3 5 6 9
Same sound as
D♯6/9
DegreeNoteIntervalSemitones
1E♭unison0
3Gmajor third4
5B♭perfect fifth7
6Cmajor sixth9
9Fmajor ninth14

2Appearance: diagrams and sound

On the guitar

E flat Six-Nine Chord (E♭6/9) – guitar chord diagram 1 (xx1011)
xx1011open position
E flat Six-Nine Chord (E♭6/9) – guitar chord diagram 2 (x63543)
x63543fret 3
E flat Six-Nine Chord (E♭6/9) – guitar chord diagram 3 (x65566)
x65566fret 5
E flat Six-Nine Chord (E♭6/9) – guitar chord diagram 4 (11-8-8-8-8-8)
11-8-8-8-8-8fret 8
E flat Six-Nine Chord (E♭6/9) – guitar chord diagram 5 (11-10-10-10-11-11)
11-10-10-10-11-11fret 10

On the ukulele

E flat Six-Nine Chord (E♭6/9) – ukulele chord diagram 1 (0313)
0313open position
E flat Six-Nine Chord (E♭6/9) – ukulele chord diagram 2 (5536)
5536fret 3
E flat Six-Nine Chord (E♭6/9) – ukulele chord diagram 3 (8788)
8788fret 7

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

A tonic major chord in jazz, bossa nova, funk, soul and gospel, often used as the final chord of a tune or in place of a major seventh on I. Its pentatonic content (1-2-3-5-6) makes it extremely consonant and lets the melody move freely. Guitarists use the four-string quartal shape on top strings; pianists use it in spread voicings. It can also replace a major triad on IV. Its quartal shape also makes it a favourite for planing, sliding the same voicing up and down.

4Dosage: how to practise it

On guitar, learn the shape rooted on the fifth string (with the ninth and sixth on the higher strings) and the shape rooted on the sixth string; practise moving them chromatically. On piano, play the root and fifth in the left hand with 3-6-9 in the right, and practise the voicing in all keys. Practise ii7–V7–I6/9 at 80–140 BPM. Five minutes daily. Try ending tunes on a 6/9 instead of a plain major chord and compare the effect. Practise the quartal guitar shape slid chromatically into the target chord.

5Warnings and common mistakes

Do not confuse 6/9 with a slash chord: the slash in '6/9' is part of the chord name, not a bass note. It has no seventh, so it is not a thirteenth chord. On guitar, the shape often omits the fifth, which is fine. Avoid placing the sixth and ninth in a low register where they sound muddy. If the melody holds the major seventh, choose maj7 or maj9 instead.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · E♭6/9/G · G – B♭ – C – F – E♭
  • Inversion 2 · E♭6/9/B♭ · B♭ – C – F – E♭ – G
  • Inversion 3 · E♭6/9/C · C – F – E♭ – G – B♭
  • Inversion 4 · E♭6/9/F · F – E♭ – G – B♭ – C

Scales to play over E♭6/9

7Other presentations available

The same chord from every note

C6/9 C♯6/9 D6/9 E6/9 F6/9 F♯6/9 G6/9 A♭6/9 A6/9 B♭6/9 B6/9

Other chords on E♭

E♭ E♭m E♭dim E♭aug E♭sus2 E♭sus4 E♭5 E♭6 E♭m6 E♭7 E♭maj7 E♭m7 E♭m7♭5 E♭dim7 E♭m(maj7) E♭7sus4 E♭add9 E♭m(add9) E♭9 E♭maj9 E♭m9 E♭11 E♭m11 E♭13 E♭7♭9 E♭7♯9 E♭7♯5 E♭7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.