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Package leaflet · Information for the musician · Chord

E flat Suspended Fourth Chord (E♭sus4)

Tense but not dissonant, waiting to resolve. The fourth replaces the third and pulls down toward it.

  • E♭sus4
  • 3 notes
  • xx1344

1Composition: what it contains

E♭ – A♭ – B♭

Symbol
E♭sus4
Also written
E♭sus4, E♭sus
Formula
1 4 5
Same sound as
D♯sus4
DegreeNoteIntervalSemitones
1E♭unison0
4A♭perfect fourth5
5B♭perfect fifth7

2Appearance: diagrams and sound

On the guitar

E flat Suspended Fourth Chord (E♭sus4) – guitar chord diagram 1 (xx1344)
xx1344fret 1
E flat Suspended Fourth Chord (E♭sus4) – guitar chord diagram 2 (x6634x)
x6634xfret 3
E flat Suspended Fourth Chord (E♭sus4) – guitar chord diagram 3 (x66896)
x66896fret 6
E flat Suspended Fourth Chord (E♭sus4) – guitar chord diagram 4 (11-11-8-8-9-x)
11-11-8-8-9-xfret 8
E flat Suspended Fourth Chord (E♭sus4) – guitar chord diagram 5 (11-11-13-13-11-11)
11-11-13-13-11-11fret 11

On the ukulele

E flat Suspended Fourth Chord (E♭sus4) – ukulele chord diagram 1 (1341)
1341fret 1
E flat Suspended Fourth Chord (E♭sus4) – ukulele chord diagram 2 (3346)
3346fret 3
E flat Suspended Fourth Chord (E♭sus4) – ukulele chord diagram 3 (8866)
8866fret 6

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

In classical harmony it is a suspension: the fourth is held over from the previous chord and then resolves down to the third (4–3 suspension), very common on the V chord at cadences (Vsus4–V–I). In pop, rock and folk it is used as a colour chord and in strummed patterns (major–sus4–major). In gospel and jazz it appears as a 'sus' dominant, often extended to 7sus4 or 9sus4. It suits anthems, worship songs and open-string guitar riffs.

4Dosage: how to practise it

On guitar, practise the open shapes and hammer the fourth on and off while strumming; then learn barre shapes rooted on the fifth and sixth strings. On piano, play root–fourth–fifth and resolve the fourth down to the third, both hands, at 60 BPM. Practise the cadence IV–Vsus4–V–I in several keys. Spend five minutes a day writing short chord loops using sus4 resolutions to train both hands and ear. On bass, outline root, fourth and fifth, then move the fourth to the third when the chord resolves.

5Warnings and common mistakes

Do not play the third together with the fourth unless you want a dense add11 sound: the 'sus' chord means no third. 'Sus' alone usually means sus4. Do not confuse it with an eleventh chord, which also contains a seventh and often a ninth. On guitar, check that your finger is not muting the fourth when it should ring. A sus4 does not have to resolve in modern styles, but in classical writing it should.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · E♭sus4/A♭ · A♭ – B♭ – E♭
  • Inversion 2 · E♭sus4/B♭ · B♭ – E♭ – A♭

Scales to play over E♭sus4

7Other presentations available

The same chord from every note

Csus4 C♯sus4 Dsus4 Esus4 Fsus4 F♯sus4 Gsus4 A♭sus4 Asus4 B♭sus4 Bsus4

Other chords on E♭

E♭ E♭m E♭dim E♭aug E♭sus2 E♭5 E♭6 E♭m6 E♭7 E♭maj7 E♭m7 E♭m7♭5 E♭dim7 E♭m(maj7) E♭7sus4 E♭add9 E♭m(add9) E♭6/9 E♭9 E♭maj9 E♭m9 E♭11 E♭m11 E♭13 E♭7♭9 E♭7♯9 E♭7♯5 E♭7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.