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Package leaflet · Information for the musician · Chord

B flat Diminished Chord (B♭dim)

Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.

  • B♭dim
  • 3 notes
  • x12320

1Composition: what it contains

B♭ – D♭ – F♭

Symbol
B♭dim
Also written
B♭dim, B♭°, B♭m♭5, B♭mi(♭5)
Formula
1 ♭3 ♭5
Same sound as
A♯dim
DegreeNoteIntervalSemitones
1B♭unison0
♭3D♭minor third3
♭5F♭diminished fifth6

2Appearance: diagrams and sound

On the guitar

B flat Diminished Chord (B♭dim) – guitar chord diagram 1 (x12320)
x12320open position
B flat Diminished Chord (B♭dim) – guitar chord diagram 2 (xx8656)
xx8656fret 5
B flat Diminished Chord (B♭dim) – guitar chord diagram 3 (x-x-8-9-11-9)
x-x-8-9-11-9fret 8
B flat Diminished Chord (B♭dim) – guitar chord diagram 4 (x-13-14-15-14-x)
x-13-14-15-14-xfret 13

On the ukulele

B flat Diminished Chord (B♭dim) – ukulele chord diagram 1 (3101)
3101open position
B flat Diminished Chord (B♭dim) – ukulele chord diagram 2 (3464)
3464fret 3
B flat Diminished Chord (B♭dim) – ukulele chord diagram 3 (9-10-9-7)
9-10-9-7fret 7

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.

4Dosage: how to practise it

On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.

5Warnings and common mistakes

Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · B♭dim/D♭ · D♭ – F♭ – B♭
  • Inversion 2 · B♭dim/F♭ · F♭ – B♭ – D♭

Scales to play over B♭dim

Where it appears (keys and Roman numerals)

7Other presentations available

The same chord from every note

Cdim C♯dim Ddim E♭dim Edim Fdim F♯dim Gdim A♭dim Adim Bdim

Other chords on B♭

B♭ B♭m B♭aug B♭sus2 B♭sus4 B♭5 B♭6 B♭m6 B♭7 B♭maj7 B♭m7 B♭m7♭5 B♭dim7 B♭m(maj7) B♭7sus4 B♭add9 B♭m(add9) B♭6/9 B♭9 B♭maj9 B♭m9 B♭11 B♭m11 B♭13 B♭7♭9 B♭7♯9 B♭7♯5 B♭7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.