Package leaflet · Information for the musician · Chord
B flat Half-Diminished Seventh Chord (B♭m7♭5)
Yearning, dark and unresolved. A diminished triad with a minor seventh, softer than a full diminished seventh.
- B♭m7♭5
- 4 notes
- x12120
1Composition: what it contains
B♭ – D♭ – F♭ – A♭
- Symbol
- B♭m7♭5
- Also written
- B♭m7♭5, B♭ø, B♭ø7, B♭-7♭5, B♭mi7(♭5)
- Formula
- 1 ♭3 ♭5 ♭7
- Same sound as
- A♯m7♭5
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | B♭ | unison | 0 |
| ♭3 | D♭ | minor third | 3 |
| ♭5 | F♭ | diminished fifth | 6 |
| ♭7 | A♭ | minor seventh | 10 |
2Appearance: diagrams and sound
On the guitar
x12120open position676696fret 6xx8999fret 8x-13-11-13-11-12fret 11x-13-14-13-14-xfret 13On the ukulele
1101open position3444fret 36867fret 6On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The iiø7 chord of a minor key: in a minor ii–V–i it leads to V7(♭9) and then to i. It is also the vii chord of a major key (viiø7), used as a dominant-function chord resolving to I. In jazz it appears in minor ii–V's and as a passing chord; in classical music it is a common pre-dominant. Locrian or Locrian ♮2 is the usual scale. It shares notes with the minor sixth chord built a minor third above its root.
4Dosage: how to practise it
On guitar, learn the shape rooted on the fifth string (the most common), the shape rooted on the sixth string with the fifth string muted, and drop-2 voicings. On piano, play it in all inversions and in the minor ii–V–i progression with smooth voice leading. Practise the minor ii–V–i around the circle of fifths at 70–120 BPM. Arpeggiate 1-♭3-♭5-♭7. Five to ten minutes daily, alternating with the diminished seventh to hear the difference.
5Warnings and common mistakes
Do not confuse m7♭5 (half-diminished) with dim7 (fully diminished): the seventh is minor here and diminished in the dim7. On guitar, check that the fifth is really flat; muscle memory from m7 shapes often keeps a perfect fifth. Do not mix up the symbol ø (half-diminished, slashed circle) with ° (diminished). When improvising, the flat second (♭9) is the avoid note.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · B♭m7♭5/D♭ · D♭ – F♭ – A♭ – B♭
- Inversion 2 · B♭m7♭5/F♭ · F♭ – A♭ – B♭ – D♭
- Inversion 3 · B♭m7♭5/A♭ · A♭ – B♭ – D♭ – F♭
Scales to play over B♭m7♭5
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Cm7♭5 C♯m7♭5 Dm7♭5 E♭m7♭5 Em7♭5 Fm7♭5 F♯m7♭5 Gm7♭5 A♭m7♭5 Am7♭5 Bm7♭5
Other chords on B♭
B♭ B♭m B♭dim B♭aug B♭sus2 B♭sus4 B♭5 B♭6 B♭m6 B♭7 B♭maj7 B♭m7 B♭dim7 B♭m(maj7) B♭7sus4 B♭add9 B♭m(add9) B♭6/9 B♭9 B♭maj9 B♭m9 B♭11 B♭m11 B♭13 B♭7♭9 B♭7♯9 B♭7♯5 B♭7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.