Package leaflet · Information for the musician · Chord
D Half-Diminished Seventh Chord (Dm7♭5)
Yearning, dark and unresolved. A diminished triad with a minor seventh, softer than a full diminished seventh.
- Dm7♭5
- 4 notes
- xx0111
1Composition: what it contains
D – F – A♭ – C
- Symbol
- Dm7♭5
- Also written
- Dm7♭5, Dø, Dø7, D-7♭5, Dmi7(♭5)
- Formula
- 1 ♭3 ♭5 ♭7
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | D | unison | 0 |
| ♭3 | F | minor third | 3 |
| ♭5 | A♭ | diminished fifth | 6 |
| ♭7 | C | minor seventh | 10 |
2Appearance: diagrams and sound
On the guitar
xx0111open position
x53534fret 3
x5656xfret 5
10-11-10-10-13-10fret 10
x-x-12-13-13-13fret 12On the ukulele
1213fret 1
5545fret 4
7888fret 7On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The iiø7 chord of a minor key: in a minor ii–V–i it leads to V7(♭9) and then to i. It is also the vii chord of a major key (viiø7), used as a dominant-function chord resolving to I. In jazz it appears in minor ii–V's and as a passing chord; in classical music it is a common pre-dominant. Locrian or Locrian ♮2 is the usual scale. It shares notes with the minor sixth chord built a minor third above its root.
4Dosage: how to practise it
On guitar, learn the shape rooted on the fifth string (the most common), the shape rooted on the sixth string with the fifth string muted, and drop-2 voicings. On piano, play it in all inversions and in the minor ii–V–i progression with smooth voice leading. Practise the minor ii–V–i around the circle of fifths at 70–120 BPM. Arpeggiate 1-♭3-♭5-♭7. Five to ten minutes daily, alternating with the diminished seventh to hear the difference.
5Warnings and common mistakes
Do not confuse m7♭5 (half-diminished) with dim7 (fully diminished): the seventh is minor here and diminished in the dim7. On guitar, check that the fifth is really flat; muscle memory from m7 shapes often keeps a perfect fifth. Do not mix up the symbol ø (half-diminished, slashed circle) with ° (diminished). When improvising, the flat second (♭9) is the avoid note.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · Dm7♭5/F · F – A♭ – C – D
- Inversion 2 · Dm7♭5/A♭ · A♭ – C – D – F
- Inversion 3 · Dm7♭5/C · C – D – F – A♭
Scales to play over Dm7♭5
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Cm7♭5 C♯m7♭5 E♭m7♭5 Em7♭5 Fm7♭5 F♯m7♭5 Gm7♭5 A♭m7♭5 Am7♭5 B♭m7♭5 Bm7♭5
Other chords on D
D Dm Ddim Daug Dsus2 Dsus4 D5 D6 Dm6 D7 Dmaj7 Dm7 Ddim7 Dm(maj7) D7sus4 Dadd9 Dm(add9) D6/9 D9 Dmaj9 Dm9 D11 Dm11 D13 D7♭9 D7♯9 D7♯5 D7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.