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Package leaflet · Information for the musician · Chord

F Half-Diminished Seventh Chord (Fm7♭5)

Yearning, dark and unresolved. A diminished triad with a minor seventh, softer than a full diminished seventh.

  • Fm7♭5
  • 4 notes
  • 121104

1Composition: what it contains

F – A♭ – C♭ – E♭

Symbol
Fm7♭5
Also written
Fm7♭5, Fø, Fø7, F-7♭5, Fmi7(♭5)
Formula
1 ♭3 ♭5 ♭7
DegreeNoteIntervalSemitones
1Funison0
♭3A♭minor third3
♭5C♭diminished fifth6
♭7E♭minor seventh10

2Appearance: diagrams and sound

On the guitar

F Half-Diminished Seventh Chord (Fm7♭5) – guitar chord diagram 1 (121104)
121104open position
F Half-Diminished Seventh Chord (Fm7♭5) – guitar chord diagram 2 (xx3444)
xx3444fret 3
F Half-Diminished Seventh Chord (Fm7♭5) – guitar chord diagram 3 (x86867)
x86867fret 6
F Half-Diminished Seventh Chord (Fm7♭5) – guitar chord diagram 4 (x8989x)
x8989xfret 8

On the ukulele

F Half-Diminished Seventh Chord (Fm7♭5) – ukulele chord diagram 1 (1312)
1312fret 1
F Half-Diminished Seventh Chord (Fm7♭5) – ukulele chord diagram 2 (4546)
4546fret 4
F Half-Diminished Seventh Chord (Fm7♭5) – ukulele chord diagram 3 (8878)
8878fret 7

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

The iiø7 chord of a minor key: in a minor ii–V–i it leads to V7(♭9) and then to i. It is also the vii chord of a major key (viiø7), used as a dominant-function chord resolving to I. In jazz it appears in minor ii–V's and as a passing chord; in classical music it is a common pre-dominant. Locrian or Locrian ♮2 is the usual scale. It shares notes with the minor sixth chord built a minor third above its root.

4Dosage: how to practise it

On guitar, learn the shape rooted on the fifth string (the most common), the shape rooted on the sixth string with the fifth string muted, and drop-2 voicings. On piano, play it in all inversions and in the minor ii–V–i progression with smooth voice leading. Practise the minor ii–V–i around the circle of fifths at 70–120 BPM. Arpeggiate 1-♭3-♭5-♭7. Five to ten minutes daily, alternating with the diminished seventh to hear the difference.

5Warnings and common mistakes

Do not confuse m7♭5 (half-diminished) with dim7 (fully diminished): the seventh is minor here and diminished in the dim7. On guitar, check that the fifth is really flat; muscle memory from m7 shapes often keeps a perfect fifth. Do not mix up the symbol ø (half-diminished, slashed circle) with ° (diminished). When improvising, the flat second (♭9) is the avoid note.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · Fm7♭5/A♭ · A♭ – C♭ – E♭ – F
  • Inversion 2 · Fm7♭5/C♭ · C♭ – E♭ – F – A♭
  • Inversion 3 · Fm7♭5/E♭ · E♭ – F – A♭ – C♭

Scales to play over Fm7♭5

Where it appears (keys and Roman numerals)

7Other presentations available

The same chord from every note

Cm7♭5 C♯m7♭5 Dm7♭5 E♭m7♭5 Em7♭5 F♯m7♭5 Gm7♭5 A♭m7♭5 Am7♭5 B♭m7♭5 Bm7♭5

Other chords on F

F Fm Fdim Faug Fsus2 Fsus4 F5 F6 Fm6 F7 Fmaj7 Fm7 Fdim7 Fm(maj7) F7sus4 Fadd9 Fm(add9) F6/9 F9 Fmaj9 Fm9 F11 Fm11 F13 F7♭9 F7♯9 F7♯5 F7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.