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Package leaflet · Information for the musician · Chord

F Major Sixth Chord (F6)

Sweet, nostalgic and relaxed. A major triad with an added major sixth, evoking swing, early pop and lounge music.

  • F6
  • 4 notes
  • 100211

1Composition: what it contains

F – A – C – D

Symbol
F6
Also written
F6, Fmaj6, FM6, Fadd6
Formula
1 3 5 6
DegreeNoteIntervalSemitones
1Funison0
3Amajor third4
5Cperfect fifth7
6Dmajor sixth9

2Appearance: diagrams and sound

On the guitar

F Major Sixth Chord (F6) – guitar chord diagram 1 (100211)
100211open position
F Major Sixth Chord (F6) – guitar chord diagram 2 (xx3535)
xx3535fret 3
F Major Sixth Chord (F6) – guitar chord diagram 3 (x-8-7-7-10-8)
x-8-7-7-10-8fret 7
F Major Sixth Chord (F6) – guitar chord diagram 4 (13-12-10-10-10-10)
13-12-10-10-10-10fret 10
F Major Sixth Chord (F6) – guitar chord diagram 5 (x-x-15-14-15-13)
x-x-15-14-15-13fret 13

On the ukulele

F Major Sixth Chord (F6) – ukulele chord diagram 1 (2210)
2210open position
F Major Sixth Chord (F6) – ukulele chord diagram 2 (2555)
2555fret 2
F Major Sixth Chord (F6) – ukulele chord diagram 3 (5555)
5555fret 5

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Used as a tonic chord in swing, early jazz, rockabilly, western swing, bossa nova and vintage pop, often instead of the major seventh. It appears at endings, in shuffle rhythm patterns (the boogie 5–6 movement) and in big-band voicings. A sixth chord shares its notes with the minor seventh chord built on its sixth, so it can be reinterpreted in reharmonisation. Guitarists use it for comping on the tonic in swing and blues.

4Dosage: how to practise it

On guitar, learn the closed four-string shapes rooted on the fifth and sixth strings, and the shuffle pattern that alternates fifth and sixth over the root. On piano, play root-third-fifth-sixth and its inversions, especially the voicing with the sixth just below the root. Practise I6–vi7–ii7–V7 at 80–120 BPM with a swing feel. Arpeggiate the chord on bass. Five to ten minutes daily, comparing it with the major seventh chord to hear the difference.

5Warnings and common mistakes

Do not confuse it with a thirteenth chord: the 6 chord has no seventh. With the sixth in the bass it becomes a minor seventh chord, so always keep the intended root in the bass. Avoid placing the sixth directly next to the fifth at the top of a voicing if it sounds muddy; spread the voicing. Some charts write '6' meaning a 6/9 chord; check the style and melody.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · F6/A · A – C – D – F
  • Inversion 2 · F6/C · C – D – F – A
  • Inversion 3 · F6/D · D – F – A – C

Scales to play over F6

7Other presentations available

The same chord from every note

C6 C♯6 D6 E♭6 E6 F♯6 G6 A♭6 A6 B♭6 B6

Other chords on F

F Fm Fdim Faug Fsus2 Fsus4 F5 Fm6 F7 Fmaj7 Fm7 Fm7♭5 Fdim7 Fm(maj7) F7sus4 Fadd9 Fm(add9) F6/9 F9 Fmaj9 Fm9 F11 Fm11 F13 F7♭9 F7♯9 F7♯5 F7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.