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Package leaflet · Information for the musician · Chord

F Minor Ninth Chord (Fm9)

Velvety, moody and smooth. A minor seventh chord with a major ninth: the signature sound of neo-soul and smooth jazz.

  • Fm9
  • 5 notes
  • 131113

1Composition: what it contains

F – A♭ – C – E♭ – G

Symbol
Fm9
Also written
Fm9, Fmin9, F-9, Fmi9
Formula
1 ♭3 5 ♭7 9
DegreeNoteIntervalSemitones
1Funison0
♭3A♭minor third3
5Cperfect fifth7
♭7E♭minor seventh10
9Gmajor ninth14

2Appearance: diagrams and sound

On the guitar

F Minor Ninth Chord (Fm9) – guitar chord diagram 1 (131113)
131113fret 1
F Minor Ninth Chord (Fm9) – guitar chord diagram 2 (x8688x)
x8688xfret 6
F Minor Ninth Chord (Fm9) – guitar chord diagram 3 (13-15-13-13-13-15)
13-15-13-13-13-15fret 13

On the ukulele

F Minor Ninth Chord (Fm9) – ukulele chord diagram 1 (10-8-11-10)
10-8-11-10fret 8

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Used as the ii9 in a ii–V–I, as a minor tonic in Dorian-based funk, soul, neo-soul, R&B, fusion and lo-fi, and on vamps in modal jazz. It is a richer replacement for a minor seventh when the melody does not hold the flat second. Dorian is the usual scale, though Aeolian also works. Pianists love it in rootless voicings; guitarists use it in funk and jazz comping. It also appears as the vi9 chord in soulful pop ballads.

4Dosage: how to practise it

On guitar, learn the shape rooted on the fifth string and the shape rooted on the sixth string with the fifth muted. On piano, play rootless voicings (♭3-5-♭7-9 and ♭7-9-♭3-5) in the left hand and practise ii9–V13–Imaj9. Work at 70–110 BPM with a laid-back feel. Arpeggiate the five chord tones on bass or guitar. Ten minutes daily. Practise a two-chord Dorian vamp (m9 to the dominant thirteenth a fourth higher), focusing on soft dynamics and smooth voice leading.

5Warnings and common mistakes

Do not confuse m9 with madd9 (no seventh). The ninth is major (a whole step above the root), not flat; a flat ninth over a minor seventh chord sounds wrong except in Phrygian settings. On guitar, the fifth is usually omitted. Avoid the ninth in low registers. In a minor key where the tonic uses natural minor, check that the ninth fits the melody.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · Fm9/A♭ · A♭ – C – E♭ – G – F
  • Inversion 2 · Fm9/C · C – E♭ – G – F – A♭
  • Inversion 3 · Fm9/E♭ · E♭ – G – F – A♭ – C
  • Inversion 4 · Fm9/G · G – F – A♭ – C – E♭

Scales to play over Fm9

7Other presentations available

The same chord from every note

Cm9 C♯m9 Dm9 E♭m9 Em9 F♯m9 Gm9 A♭m9 Am9 B♭m9 Bm9

Other chords on F

F Fm Fdim Faug Fsus2 Fsus4 F5 F6 Fm6 F7 Fmaj7 Fm7 Fm7♭5 Fdim7 Fm(maj7) F7sus4 Fadd9 Fm(add9) F6/9 F9 Fmaj9 F11 Fm11 F13 F7♭9 F7♯9 F7♯5 F7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.