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Package leaflet · Information for the musician · Chord

A flat Minor Ninth Chord (A♭m9)

Velvety, moody and smooth. A minor seventh chord with a major ninth: the signature sound of neo-soul and smooth jazz.

  • A♭m9
  • 5 notes
  • 411102

1Composition: what it contains

A♭ – C♭ – E♭ – G♭ – B♭

Symbol
A♭m9
Also written
A♭m9, A♭min9, A♭-9, A♭mi9
Formula
1 ♭3 5 ♭7 9
Same sound as
G♯m9
DegreeNoteIntervalSemitones
1A♭unison0
♭3C♭minor third3
5E♭perfect fifth7
♭7G♭minor seventh10
9B♭major ninth14

2Appearance: diagrams and sound

On the guitar

A flat Minor Ninth Chord (A♭m9) – guitar chord diagram 1 (411102)
411102open position
A flat Minor Ninth Chord (A♭m9) – guitar chord diagram 2 (464446)
464446fret 4
A flat Minor Ninth Chord (A♭m9) – guitar chord diagram 3 (x-11-9-11-11-x)
x-11-9-11-11-xfret 9

On the ukulele

A flat Minor Ninth Chord (A♭m9) – ukulele chord diagram 1 (13-11-14-13)
13-11-14-13fret 11

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Used as the ii9 in a ii–V–I, as a minor tonic in Dorian-based funk, soul, neo-soul, R&B, fusion and lo-fi, and on vamps in modal jazz. It is a richer replacement for a minor seventh when the melody does not hold the flat second. Dorian is the usual scale, though Aeolian also works. Pianists love it in rootless voicings; guitarists use it in funk and jazz comping. It also appears as the vi9 chord in soulful pop ballads.

4Dosage: how to practise it

On guitar, learn the shape rooted on the fifth string and the shape rooted on the sixth string with the fifth muted. On piano, play rootless voicings (♭3-5-♭7-9 and ♭7-9-♭3-5) in the left hand and practise ii9–V13–Imaj9. Work at 70–110 BPM with a laid-back feel. Arpeggiate the five chord tones on bass or guitar. Ten minutes daily. Practise a two-chord Dorian vamp (m9 to the dominant thirteenth a fourth higher), focusing on soft dynamics and smooth voice leading.

5Warnings and common mistakes

Do not confuse m9 with madd9 (no seventh). The ninth is major (a whole step above the root), not flat; a flat ninth over a minor seventh chord sounds wrong except in Phrygian settings. On guitar, the fifth is usually omitted. Avoid the ninth in low registers. In a minor key where the tonic uses natural minor, check that the ninth fits the melody.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · A♭m9/C♭ · C♭ – E♭ – G♭ – B♭ – A♭
  • Inversion 2 · A♭m9/E♭ · E♭ – G♭ – B♭ – A♭ – C♭
  • Inversion 3 · A♭m9/G♭ · G♭ – B♭ – A♭ – C♭ – E♭
  • Inversion 4 · A♭m9/B♭ · B♭ – A♭ – C♭ – E♭ – G♭

Scales to play over A♭m9

7Other presentations available

The same chord from every note

Cm9 C♯m9 Dm9 E♭m9 Em9 Fm9 F♯m9 Gm9 Am9 B♭m9 Bm9

Other chords on A♭

A♭ A♭m A♭dim A♭aug A♭sus2 A♭sus4 A♭5 A♭6 A♭m6 A♭7 A♭maj7 A♭m7 A♭m7♭5 A♭dim7 A♭m(maj7) A♭7sus4 A♭add9 A♭m(add9) A♭6/9 A♭9 A♭maj9 A♭11 A♭m11 A♭13 A♭7♭9 A♭7♯9 A♭7♯5 A♭7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.