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Package leaflet · Information for the musician · Chord

A flat Diminished Chord (A♭dim)

Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.

  • A♭dim
  • 3 notes
  • 420404

1Composition: what it contains

A♭ – C♭ – E𝄫

Symbol
A♭dim
Also written
A♭dim, A♭°, A♭m♭5, A♭mi(♭5)
Formula
1 ♭3 ♭5
Same sound as
G♯dim
DegreeNoteIntervalSemitones
1A♭unison0
♭3C♭minor third3
♭5E𝄫diminished fifth6

2Appearance: diagrams and sound

On the guitar

A flat Diminished Chord (A♭dim) – guitar chord diagram 1 (420404)
420404open position
A flat Diminished Chord (A♭dim) – guitar chord diagram 2 (xx6434)
xx6434fret 3
A flat Diminished Chord (A♭dim) – guitar chord diagram 3 (xx6797)
xx6797fret 6
A flat Diminished Chord (A♭dim) – guitar chord diagram 4 (x-11-12-13-12-x)
x-11-12-13-12-xfret 11

On the ukulele

A flat Diminished Chord (A♭dim) – ukulele chord diagram 1 (1242)
1242fret 1
A flat Diminished Chord (A♭dim) – ukulele chord diagram 2 (7875)
7875fret 5
A flat Diminished Chord (A♭dim) – ukulele chord diagram 3 (13-11-10-11)
13-11-10-11fret 10

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.

4Dosage: how to practise it

On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.

5Warnings and common mistakes

Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · A♭dim/C♭ · C♭ – E𝄫 – A♭
  • Inversion 2 · A♭dim/E𝄫 · E𝄫 – A♭ – C♭

Scales to play over A♭dim

Where it appears (keys and Roman numerals)

7Other presentations available

The same chord from every note

Cdim C♯dim Ddim E♭dim Edim Fdim F♯dim Gdim Adim B♭dim Bdim

Other chords on A♭

A♭ A♭m A♭aug A♭sus2 A♭sus4 A♭5 A♭6 A♭m6 A♭7 A♭maj7 A♭m7 A♭m7♭5 A♭dim7 A♭m(maj7) A♭7sus4 A♭add9 A♭m(add9) A♭6/9 A♭9 A♭maj9 A♭m9 A♭11 A♭m11 A♭13 A♭7♭9 A♭7♯9 A♭7♯5 A♭7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.