Package leaflet · Information for the musician · Chord
A flat Diminished Chord (A♭dim)
Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.
- A♭dim
- 3 notes
- 420404
1Composition: what it contains
A♭ – C♭ – E𝄫
- Symbol
- A♭dim
- Also written
- A♭dim, A♭°, A♭m♭5, A♭mi(♭5)
- Formula
- 1 ♭3 ♭5
- Same sound as
- G♯dim
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | A♭ | unison | 0 |
| ♭3 | C♭ | minor third | 3 |
| ♭5 | E𝄫 | diminished fifth | 6 |
2Appearance: diagrams and sound
On the guitar
420404open positionxx6434fret 3xx6797fret 6x-11-12-13-12-xfret 11On the ukulele
1242fret 17875fret 513-11-10-11fret 10On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.
4Dosage: how to practise it
On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.
5Warnings and common mistakes
Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · A♭dim/C♭ · C♭ – E𝄫 – A♭
- Inversion 2 · A♭dim/E𝄫 · E𝄫 – A♭ – C♭
Scales to play over A♭dim
- G sharp Locrian Mode
- G sharp Blues Scale
- A flat Half-Whole Diminished Scale
- G sharp Whole-Half Diminished Scale
- A flat Hungarian Minor Scale
- G sharp Altered Scale
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Cdim C♯dim Ddim E♭dim Edim Fdim F♯dim Gdim Adim B♭dim Bdim
Other chords on A♭
A♭ A♭m A♭aug A♭sus2 A♭sus4 A♭5 A♭6 A♭m6 A♭7 A♭maj7 A♭m7 A♭m7♭5 A♭dim7 A♭m(maj7) A♭7sus4 A♭add9 A♭m(add9) A♭6/9 A♭9 A♭maj9 A♭m9 A♭11 A♭m11 A♭13 A♭7♭9 A♭7♯9 A♭7♯5 A♭7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.