Package leaflet · Information for the musician · Chord
E Diminished Chord (Edim)
Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.
- Edim
- 3 notes
- xx2353
1Composition: what it contains
E – G – B♭
- Symbol
- Edim
- Also written
- Edim, E°, Em♭5, Emi(♭5)
- Formula
- 1 ♭3 ♭5
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | E | unison | 0 |
| ♭3 | G | minor third | 3 |
| ♭5 | B♭ | diminished fifth | 6 |
2Appearance: diagrams and sound
On the guitar
xx2353fret 2x7898xfret 7x-x-14-12-11-12fret 11On the ukulele
0401open position9767fret 69-10-12-10fret 9On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.
4Dosage: how to practise it
On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.
5Warnings and common mistakes
Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · Edim/G · G – B♭ – E
- Inversion 2 · Edim/B♭ · B♭ – E – G
Scales to play over Edim
- E Locrian Mode
- E Blues Scale
- E Half-Whole Diminished Scale
- E Whole-Half Diminished Scale
- E Hungarian Minor Scale
- E Altered Scale
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Cdim C♯dim Ddim E♭dim Fdim F♯dim Gdim A♭dim Adim B♭dim Bdim
Other chords on E
E Em Eaug Esus2 Esus4 E5 E6 Em6 E7 Emaj7 Em7 Em7♭5 Edim7 Em(maj7) E7sus4 Eadd9 Em(add9) E6/9 E9 Emaj9 Em9 E11 Em11 E13 E7♭9 E7♯9 E7♯5 E7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.