Package leaflet · Information for the musician · Chord
G Diminished Chord (Gdim)
Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.
- Gdim
- 3 notes
- xx5323
1Composition: what it contains
G – B♭ – D♭
- Symbol
- Gdim
- Also written
- Gdim, G°, Gm♭5, Gmi(♭5)
- Formula
- 1 ♭3 ♭5
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | G | unison | 0 |
| ♭3 | B♭ | minor third | 3 |
| ♭5 | D♭ | diminished fifth | 6 |
2Appearance: diagrams and sound
On the guitar
xx5323fret 2xx5686fret 5x-10-11-12-11-xfret 10On the ukulele
0131open position6764fret 412-10-9-10fret 9On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.
4Dosage: how to practise it
On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.
5Warnings and common mistakes
Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · Gdim/B♭ · B♭ – D♭ – G
- Inversion 2 · Gdim/D♭ · D♭ – G – B♭
Scales to play over Gdim
- G Locrian Mode
- G Blues Scale
- G Half-Whole Diminished Scale
- G Whole-Half Diminished Scale
- G Hungarian Minor Scale
- G Altered Scale
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Cdim C♯dim Ddim E♭dim Edim Fdim F♯dim A♭dim Adim B♭dim Bdim
Other chords on G
G Gm Gaug Gsus2 Gsus4 G5 G6 Gm6 G7 Gmaj7 Gm7 Gm7♭5 Gdim7 Gm(maj7) G7sus4 Gadd9 Gm(add9) G6/9 G9 Gmaj9 Gm9 G11 Gm11 G13 G7♭9 G7♯9 G7♯5 G7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.