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Package leaflet · Information for the musician · Chord

G Minor Seventh Chord (Gm7)

Mellow, smooth and soulful. A minor triad with a flat seventh: softer than a plain minor chord and less tense than a dominant.

  • Gm7
  • 4 notes
  • 310031

1Composition: what it contains

G – B♭ – D – F

Symbol
Gm7
Also written
Gm7, Gmin7, G-7, Gmi7
Formula
1 ♭3 5 ♭7
DegreeNoteIntervalSemitones
1Gunison0
♭3B♭minor third3
5Dperfect fifth7
♭7Fminor seventh10

2Appearance: diagrams and sound

On the guitar

G Minor Seventh Chord (Gm7) – guitar chord diagram 1 (310031)
310031open position
G Minor Seventh Chord (Gm7) – guitar chord diagram 2 (353333)
353333fret 3
G Minor Seventh Chord (Gm7) – guitar chord diagram 3 (xx5766)
xx5766fret 5
G Minor Seventh Chord (Gm7) – guitar chord diagram 4 (x-10-8-10-8-10)
x-10-8-10-8-10fret 8
G Minor Seventh Chord (Gm7) – guitar chord diagram 5 (x-10-12-10-11-10)
x-10-12-10-11-10fret 10

On the ukulele

G Minor Seventh Chord (Gm7) – ukulele chord diagram 1 (0211)
0211open position
G Minor Seventh Chord (Gm7) – ukulele chord diagram 2 (3535)
3535fret 3
G Minor Seventh Chord (Gm7) – ukulele chord diagram 3 (7768)
7768fret 6

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

The ii7, iii7 and vi7 chords of a major key and the i7 and iv7 chords of a minor key (in natural minor or Dorian context). It is the ii in the ii–V–I, the main chord in funk, soul, R&B and modal jazz vamps, and a common colour in pop and lo-fi. Dorian is the typical scale over it. It can substitute for a IV chord (ii7 for IV) and is often extended to m9 or m11.

4Dosage: how to practise it

On guitar, learn barre shapes rooted on the sixth and fifth strings, drop-2 voicings on the top four strings, and shells (root, ♭3, ♭7). On piano, play it in all inversions and in rootless voicings (♭3-5-♭7-9). Practise ii7–V7–Imaj7 progressions at 80–140 BPM in all keys. Play funk vamps on one m7 chord with sixteenth-note strumming. Arpeggiate 1-♭3-5-♭7 on bass. Ten minutes a day. Then practise moving smoothly from m7 shapes to the dominant chord a fourth higher, keeping common tones.

5Warnings and common mistakes

Do not confuse m7 with mMaj7 (major seventh) or with m7♭5 (flattened fifth). The minor seventh chord shares its notes with the major sixth chord built on its third, so the bass decides the name. On guitar, beginners often play a major third by mistake when moving barre shapes. In close voicings, avoid the root doubled next to the flat seventh where it sounds thick.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · Gm7/B♭ · B♭ – D – F – G
  • Inversion 2 · Gm7/D · D – F – G – B♭
  • Inversion 3 · Gm7/F · F – G – B♭ – D

Scales to play over Gm7

Where it appears (keys and Roman numerals)

7Other presentations available

The same chord from every note

Cm7 C♯m7 Dm7 E♭m7 Em7 Fm7 F♯m7 A♭m7 Am7 B♭m7 Bm7

Other chords on G

G Gm Gdim Gaug Gsus2 Gsus4 G5 G6 Gm6 G7 Gmaj7 Gm7♭5 Gdim7 Gm(maj7) G7sus4 Gadd9 Gm(add9) G6/9 G9 Gmaj9 Gm9 G11 Gm11 G13 G7♭9 G7♯9 G7♯5 G7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.