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Package leaflet · Information for the musician · Chord

G Dominant Thirteenth Chord (G13)

Bright, rich and swinging. A dominant seventh with the thirteenth on top, the fullest natural dominant sound.

  • G13
  • 6 notes
  • 303000

1Composition: what it contains

G – B – D – F – A – E

Symbol
G13
Also written
G13, G7(13), Gdom13
Formula
1 3 5 ♭7 9 13
DegreeNoteIntervalSemitones
1Gunison0
3Bmajor third4
5Dperfect fifth7
♭7Fminor seventh10
9Amajor ninth14
13Emajor thirteenth21

2Appearance: diagrams and sound

On the guitar

G Dominant Thirteenth Chord (G13) – guitar chord diagram 1 (303000)
303000open position
G Dominant Thirteenth Chord (G13) – guitar chord diagram 2 (353453)
353453fret 3
G Dominant Thirteenth Chord (G13) – guitar chord diagram 3 (x-10-12-10-12-12)
x-10-12-10-12-12fret 10
G Dominant Thirteenth Chord (G13) – guitar chord diagram 4 (15-12-15-12-12-12)
15-12-15-12-12-12fret 12

On the ukulele

G Dominant Thirteenth Chord (G13) – ukulele chord diagram 1 (0412)
0412open position
G Dominant Thirteenth Chord (G13) – ukulele chord diagram 2 (9778)
9778fret 7
G Dominant Thirteenth Chord (G13) – ukulele chord diagram 3 (10-11-12-10)
10-11-12-10fret 10

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

A staple of jazz, big-band swing, blues, funk, soul and gospel on dominant chords: the V13 in a ii–V–I, I13 and IV13 in jazz blues, and funk vamps. It includes the ninth implicitly in many voicings and usually omits the eleventh (which clashes with the third). Mixolydian is the scale; the thirteenth is the same note as the sixth degree. It can replace any dominant seventh when the melody contains the natural thirteenth or ninth.

4Dosage: how to practise it

On guitar, learn the shape rooted on the sixth string (root, ♭7, 3, 13) and the shape rooted on the fifth string; practise sliding them in from a half step below. On piano, play rootless voicings ♭7-9-3-13 and 3-13-♭7-9 in the left hand. Practise ii9–V13–Imaj9 in all keys at 80–160 BPM with a swing feel. Ten minutes daily. On bass, outline 1-3-5-♭7 and resolve to the next chord. Practise a twelve-bar blues with all dominant chords as thirteenths, comparing them with plain dominant sevenths and ninths.

5Warnings and common mistakes

Do not play the eleventh in a dominant thirteenth chord: it clashes with the major third, so omit it. Do not confuse 13 with 6 (no seventh) or with maj13 (major seventh). The essential notes are the third, flat seventh and thirteenth; the root and fifth can be omitted. If the melody holds the flat thirteenth (for example in minor keys), use 7♭13 or the altered sound instead.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · G13/B · B – D – F – A – E – G
  • Inversion 2 · G13/D · D – F – A – E – G – B
  • Inversion 3 · G13/F · F – A – E – G – B – D
  • Inversion 4 · G13/A · A – E – G – B – D – F
  • Inversion 5 · G13/E · E – G – B – D – F – A

Scales to play over G13

7Other presentations available

The same chord from every note

C13 C♯13 D13 E♭13 E13 F13 F♯13 A♭13 A13 B♭13 B13

Other chords on G

G Gm Gdim Gaug Gsus2 Gsus4 G5 G6 Gm6 G7 Gmaj7 Gm7 Gm7♭5 Gdim7 Gm(maj7) G7sus4 Gadd9 Gm(add9) G6/9 G9 Gmaj9 Gm9 G11 Gm11 G7♭9 G7♯9 G7♯5 G7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.