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Package leaflet · Information for the musician · Chord

G Seventh Sharp Nine Chord (G7♯9)

Gritty, funky and aggressive. The sharp ninth rubs against the major third, combining major and minor colours in one chord.

  • G7♯9
  • 5 notes
  • 310001

1Composition: what it contains

G – B – D – F – A♯

Symbol
G7♯9
Also written
G7♯9, G7(♯9), G7+9
Formula
1 3 5 ♭7 ♯9
DegreeNoteIntervalSemitones
1Gunison0
3Bmajor third4
5Dperfect fifth7
♭7Fminor seventh10
♯9A♯augmented ninth15

2Appearance: diagrams and sound

On the guitar

G Seventh Sharp Nine Chord (G7♯9) – guitar chord diagram 1 (310001)
310001open position
G Seventh Sharp Nine Chord (G7♯9) – guitar chord diagram 2 (353436)
353436fret 3
G Seventh Sharp Nine Chord (G7♯9) – guitar chord diagram 3 (x-10-9-10-11-x)
x-10-9-10-11-xfret 9
G Seventh Sharp Nine Chord (G7♯9) – guitar chord diagram 4 (15-13-12-12-12-13)
15-13-12-12-12-13fret 12

On the ukulele

G Seventh Sharp Nine Chord (G7♯9) – ukulele chord diagram 1 (3532)
3532fret 2
G Seventh Sharp Nine Chord (G7♯9) – ukulele chord diagram 2 (10-10-7-10)
10-10-7-10fret 7
G Seventh Sharp Nine Chord (G7♯9) – ukulele chord diagram 3 (12-11-13-13)
12-11-13-13fret 11

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Famous in rock, funk, blues-rock and soul as a tonic dominant chord with attitude, and in jazz as an altered V7 resolving to I or i. Its sharp ninth is enharmonic to the minor third, so it suits minor-pentatonic soloing over a dominant groove. In jazz, the altered scale or half-whole diminished scale fits over it. It frequently appears in blues and funk vamps and as the V chord in minor ii–V–i progressions.

4Dosage: how to practise it

On guitar, learn the classic shape rooted on the fifth string (root, 3, ♭7, ♯9) and practise funk rhythms at 90–120 BPM, muting between hits. On piano, play the left-hand voicing 3-♭7-♯9 and the right-hand altered voicings. Practise iiø7–V7♯9–im and a twelve-bar blues with every chord as 7♯9. Arpeggiate the chord. Five to ten minutes daily. On piano, practise comping with short, accented hits. Try improvising with the blues scale over a 7♯9 vamp, then with the altered scale, to hear both colours.

5Warnings and common mistakes

The sharp ninth is not a minor third: it sits above the major third, which must also be present. Do not confuse 7♯9 with m7, which has no major third. Avoid placing the ♯9 below the third in voicings, which turns the sound into a muddy minor chord. In a major ii–V–I, the sharp ninth may clash with a melody containing the natural ninth. The symbol '7+9' is ambiguous; prefer 7♯9.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · G7♯9/B · B – D – F – A♯ – G
  • Inversion 2 · G7♯9/D · D – F – A♯ – G – B
  • Inversion 3 · G7♯9/F · F – A♯ – G – B – D
  • Inversion 4 · G7♯9/A♯ · A♯ – G – B – D – F

Scales to play over G7♯9

7Other presentations available

The same chord from every note

C7♯9 C♯7♯9 D7♯9 E♭7♯9 E7♯9 F7♯9 F♯7♯9 A♭7♯9 A7♯9 B♭7♯9 B7♯9

Other chords on G

G Gm Gdim Gaug Gsus2 Gsus4 G5 G6 Gm6 G7 Gmaj7 Gm7 Gm7♭5 Gdim7 Gm(maj7) G7sus4 Gadd9 Gm(add9) G6/9 G9 Gmaj9 Gm9 G11 Gm11 G13 G7♭9 G7♯5 G7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.