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Package leaflet · Information for the musician · Chord

F Seventh Sharp Nine Chord (F7♯9)

Gritty, funky and aggressive. The sharp ninth rubs against the major third, combining major and minor colours in one chord.

  • F7♯9
  • 5 notes
  • 10111x

1Composition: what it contains

F – A – C – E♭ – G♯

Symbol
F7♯9
Also written
F7♯9, F7(♯9), F7+9
Formula
1 3 5 ♭7 ♯9
DegreeNoteIntervalSemitones
1Funison0
3Amajor third4
5Cperfect fifth7
♭7E♭minor seventh10
♯9G♯augmented ninth15

2Appearance: diagrams and sound

On the guitar

F Seventh Sharp Nine Chord (F7♯9) – guitar chord diagram 1 (10111x)
10111xopen position
F Seventh Sharp Nine Chord (F7♯9) – guitar chord diagram 2 (xx3244)
xx3244fret 2
F Seventh Sharp Nine Chord (F7♯9) – guitar chord diagram 3 (x8789x)
x8789xfret 7
F Seventh Sharp Nine Chord (F7♯9) – guitar chord diagram 4 (13-11-10-10-10-11)
13-11-10-10-10-11fret 10

On the ukulele

F Seventh Sharp Nine Chord (F7♯9) – ukulele chord diagram 1 (1310)
1310open position
F Seventh Sharp Nine Chord (F7♯9) – ukulele chord diagram 2 (8858)
8858fret 5
F Seventh Sharp Nine Chord (F7♯9) – ukulele chord diagram 3 (10-9-11-11)
10-9-11-11fret 9

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Famous in rock, funk, blues-rock and soul as a tonic dominant chord with attitude, and in jazz as an altered V7 resolving to I or i. Its sharp ninth is enharmonic to the minor third, so it suits minor-pentatonic soloing over a dominant groove. In jazz, the altered scale or half-whole diminished scale fits over it. It frequently appears in blues and funk vamps and as the V chord in minor ii–V–i progressions.

4Dosage: how to practise it

On guitar, learn the classic shape rooted on the fifth string (root, 3, ♭7, ♯9) and practise funk rhythms at 90–120 BPM, muting between hits. On piano, play the left-hand voicing 3-♭7-♯9 and the right-hand altered voicings. Practise iiø7–V7♯9–im and a twelve-bar blues with every chord as 7♯9. Arpeggiate the chord. Five to ten minutes daily. On piano, practise comping with short, accented hits. Try improvising with the blues scale over a 7♯9 vamp, then with the altered scale, to hear both colours.

5Warnings and common mistakes

The sharp ninth is not a minor third: it sits above the major third, which must also be present. Do not confuse 7♯9 with m7, which has no major third. Avoid placing the ♯9 below the third in voicings, which turns the sound into a muddy minor chord. In a major ii–V–I, the sharp ninth may clash with a melody containing the natural ninth. The symbol '7+9' is ambiguous; prefer 7♯9.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · F7♯9/A · A – C – E♭ – G♯ – F
  • Inversion 2 · F7♯9/C · C – E♭ – G♯ – F – A
  • Inversion 3 · F7♯9/E♭ · E♭ – G♯ – F – A – C
  • Inversion 4 · F7♯9/G♯ · G♯ – F – A – C – E♭

Scales to play over F7♯9

7Other presentations available

The same chord from every note

C7♯9 C♯7♯9 D7♯9 E♭7♯9 E7♯9 F♯7♯9 G7♯9 A♭7♯9 A7♯9 B♭7♯9 B7♯9

Other chords on F

F Fm Fdim Faug Fsus2 Fsus4 F5 F6 Fm6 F7 Fmaj7 Fm7 Fm7♭5 Fdim7 Fm(maj7) F7sus4 Fadd9 Fm(add9) F6/9 F9 Fmaj9 Fm9 F11 Fm11 F13 F7♭9 F7♯5 F7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.