Package leaflet · Information for the musician · Chord

F Minor Major Seventh Chord (Fm(maj7))

Haunting, mysterious and cinematic. A minor triad with a major seventh: the sound of spy movies and film-noir.

Fm(maj7)
4 notes
132110

1Composition: what it contains

F – A♭ – C – E

Symbol: Fm(maj7)
Also written: FmMaj7, Fm(maj7), F-Δ7, FmM7, Fmin(maj7)
Formula: 1 ♭3 5 7

Degree	Note	Interval	Semitones
1	F	unison	0
♭3	A♭	minor third	3
5	C	perfect fifth	7
7	E	major seventh	11

2Appearance: diagrams and sound

On the guitar

F Minor Major Seventh Chord (Fm(maj7)) – guitar chord diagram 1 (132110) — `132110`open position

F Minor Major Seventh Chord (Fm(maj7)) – guitar chord diagram 2 (xx3554) — `xx3554`fret 3

F Minor Major Seventh Chord (Fm(maj7)) – guitar chord diagram 3 (x86558) — `x86558`fret 5

F Minor Major Seventh Chord (Fm(maj7)) – guitar chord diagram 4 (x-8-10-9-9-8) — `x-8-10-9-9-8`fret 8

F Minor Major Seventh Chord (Fm(maj7)) – guitar chord diagram 5 (13-15-14-13-13-13) — `13-15-14-13-13-13`fret 13

On the ukulele

F Minor Major Seventh Chord (Fm(maj7)) – ukulele chord diagram 1 (1413) — `1413`fret 1

F Minor Major Seventh Chord (Fm(maj7)) – ukulele chord diagram 2 (5547) — `5547`fret 4

F Minor Major Seventh Chord (Fm(maj7)) – ukulele chord diagram 3 (10-8-8-7) — `10-8-8-7`fret 7

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck

Bass pattern: root and fifth

Bass arpeggio

Chord tones on the guitar neck (degrees)

3Indications: what it is used for

The tonic chord of the harmonic and melodic minor scales, used as a i chord in jazz and film music. It appears in the minor line cliché (i–imMaj7–im7–im6), where the descending chromatic line passes through it. Jazz players use it as a tonic minor colour at the end of a minor ii–V–i, and film composers use it for suspense or mystery. Melodic minor (jazz minor) is the typical scale over it.

4Dosage: how to practise it

On guitar, learn the shape rooted on the fifth string and the drop-2 voicing on the top strings. On piano, play root-♭3-5-7 in all inversions, then practise the line cliché i–imMaj7–im7–im6 at 60–80 BPM, keeping the moving voice clear. Improvise over the chord using melodic minor. Arpeggiate the chord in two octaves. Five minutes daily, alternating with m7 to train your ear. On bass, outline 1-♭3-5-7 and let the major seventh lead back up to the root. Compare the chord with the minor sixth and minor seventh in the same session.

5Warnings and common mistakes

The seventh is major: do not confuse it with m7. The major seventh and minor third are a major third apart and form an augmented triad on top, which can sound dissonant in close voicings; spread them out. Avoid doubling the major seventh. Symbols vary widely (mMaj7, m(maj7), -Δ7), which can confuse readers. It is unstable as a passing chord, so resolve it to m7, m6 or the tonic.

6Interactions with chords, scales and keys

Inversions

Inversion 1 · Fm(maj7)/A♭ · A♭ – C – E – F
Inversion 2 · Fm(maj7)/C · C – E – F – A♭
Inversion 3 · Fm(maj7)/E · E – F – A♭ – C

Scales to play over Fm(maj7)

7Other presentations available

The same chord from every note

Cm(maj7) C♯m(maj7) Dm(maj7) E♭m(maj7) Em(maj7) F♯m(maj7) Gm(maj7) A♭m(maj7) Am(maj7) B♭m(maj7) Bm(maj7)

Other chords on F

F Fm Fdim Faug Fsus2 Fsus4 F5 F6 Fm6 F7 Fmaj7 Fm7 Fm7♭5 Fdim7 F7sus4 Fadd9 Fm(add9) F6/9 F9 Fmaj9 Fm9 F11 Fm11 F13 F7♭9 F7♯9 F7♯5 F7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.