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Package leaflet · Information for the musician · Chord

F Seventh Suspended Fourth Chord (F7sus4)

Open, floating and modern. A dominant seventh with the fourth replacing the third: tension without the tritone.

  • F7sus4
  • 4 notes
  • 111311

1Composition: what it contains

F – B♭ – C – E♭

Symbol
F7sus4
Also written
F7sus4, F7sus, Fsus7
Formula
1 4 5 ♭7
DegreeNoteIntervalSemitones
1Funison0
4B♭perfect fourth5
5Cperfect fifth7
♭7E♭minor seventh10

2Appearance: diagrams and sound

On the guitar

F Seventh Suspended Fourth Chord (F7sus4) – guitar chord diagram 1 (111311)
111311fret 1
F Seventh Suspended Fourth Chord (F7sus4) – guitar chord diagram 2 (xx3546)
xx3546fret 3
F Seventh Suspended Fourth Chord (F7sus4) – guitar chord diagram 3 (x88866)
x88866fret 6
F Seventh Suspended Fourth Chord (F7sus4) – guitar chord diagram 4 (x-8-8-8-11-8)
x-8-8-8-11-8fret 8
F Seventh Suspended Fourth Chord (F7sus4) – guitar chord diagram 5 (13-13-13-15-13-13)
13-13-13-15-13-13fret 13

On the ukulele

F Seventh Suspended Fourth Chord (F7sus4) – ukulele chord diagram 1 (3311)
3311fret 1
F Seventh Suspended Fourth Chord (F7sus4) – ukulele chord diagram 2 (3566)
3566fret 3
F Seventh Suspended Fourth Chord (F7sus4) – ukulele chord diagram 3 (5566)
5566fret 5

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Used as a V chord before the V7 (V7sus4–V7–I), as a modal dominant in jazz, funk, fusion and gospel, and as a static vamp chord in modal jazz. It is often equivalent to a ii7 chord over the V bass (ii/V) or to a 9sus4 chord. Classical music uses it as a suspension resolving to V7. It suits pop and rock as a softer alternative to the dominant seventh, and Mixolydian is the typical scale over it.

4Dosage: how to practise it

On guitar, learn the barre shapes rooted on the sixth and fifth strings and practise resolving the fourth to the third (7sus4–7). On piano, play root-4-5-♭7 in all inversions, and practise the 'slash' voicing of a ii7 chord over the V root. Practise V7sus4–V7–I in all keys at 70–110 BPM. Improvise over a 7sus4 vamp with Mixolydian for five minutes daily. On bass, alternate root and fifth while the chord rings, then add the flat seventh in fills.

5Warnings and common mistakes

Do not add the major third to a 7sus4 voicing unless you want an eleventh chord sound: the 'sus' means no third. Do not confuse it with an eleventh chord, which also contains the ninth. On guitar, check that the fourth is fretted and the third muted. In classical writing, the fourth should resolve down by step to the third. The symbol 'sus7' is ambiguous; prefer 7sus4.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · F7sus4/B♭ · B♭ – C – E♭ – F
  • Inversion 2 · F7sus4/C · C – E♭ – F – B♭
  • Inversion 3 · F7sus4/E♭ · E♭ – F – B♭ – C

Scales to play over F7sus4

7Other presentations available

The same chord from every note

C7sus4 C♯7sus4 D7sus4 E♭7sus4 E7sus4 F♯7sus4 G7sus4 A♭7sus4 A7sus4 B♭7sus4 B7sus4

Other chords on F

F Fm Fdim Faug Fsus2 Fsus4 F5 F6 Fm6 F7 Fmaj7 Fm7 Fm7♭5 Fdim7 Fm(maj7) Fadd9 Fm(add9) F6/9 F9 Fmaj9 Fm9 F11 Fm11 F13 F7♭9 F7♯9 F7♯5 F7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.