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Package leaflet · Information for the musician · Chord

F Seventh Sharp Five Chord (F7♯5)

Restless, rising and bluesy. A dominant seventh with an augmented fifth that pushes upward to the next chord.

  • F7♯5
  • 4 notes
  • 10122x

1Composition: what it contains

F – A – C♯ – E♭

Symbol
F7♯5
Also written
F7♯5, Faug7, F+7, F7+, F7(♯5)
Formula
1 3 ♯5 ♭7
DegreeNoteIntervalSemitones
1Funison0
3Amajor third4
♯5C♯augmented fifth8
♭7E♭minor seventh10

2Appearance: diagrams and sound

On the guitar

F Seventh Sharp Five Chord (F7♯5) – guitar chord diagram 1 (10122x)
10122xopen position
F Seventh Sharp Five Chord (F7♯5) – guitar chord diagram 2 (xx3645)
xx3645fret 3
F Seventh Sharp Five Chord (F7♯5) – guitar chord diagram 3 (x-8-11-8-10-9)
x-8-11-8-10-9fret 8

On the ukulele

F Seventh Sharp Five Chord (F7♯5) – ukulele chord diagram 1 (2314)
2314fret 1
F Seventh Sharp Five Chord (F7♯5) – ukulele chord diagram 2 (6556)
6556fret 5
F Seventh Sharp Five Chord (F7♯5) – ukulele chord diagram 3 (8998)
8998fret 8

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

A V7 chord with a raised fifth leading to the third of the I chord: common in jazz, blues, swing, gospel, ragtime and old pop. It acts as a dominant with extra pull, especially in major keys (the raised fifth moves up to the third of the tonic). The whole-tone scale fits over it, and the altered scale works when combined with ♭9 or ♯9. It also appears as a turnaround chord in blues (V7♯5 back to I7).

4Dosage: how to practise it

On guitar, learn the shape rooted on the sixth string and the shape rooted on the fifth string, and practise resolving the raised fifth up to the target chord's third. On piano, play 1-3-♯5-♭7 in all inversions and practise V7♯5–I and ii7–V7♯5–Imaj7 at 70–110 BPM. Improvise with the whole-tone scale over the chord. Five minutes daily. On bass, outline root, third and the raised fifth, and lead the raised fifth upward. Compare the chord with plain dominant sevenths and listen for the rising chromatic voice.

5Warnings and common mistakes

Do not play the natural fifth together with the raised fifth: they clash. Do not confuse 7♯5 with 7♭13: they share the same note but the ♭13 implies the natural fifth may be present, and the scale choice differs. The symbol '+7' is sometimes confused with 'maj7'; read carefully. Do not confuse with maj7♯5, which has a major seventh. On guitar, check that no open string sounds the natural fifth.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · F7♯5/A · A – C♯ – E♭ – F
  • Inversion 2 · F7♯5/C♯ · C♯ – E♭ – F – A
  • Inversion 3 · F7♯5/E♭ · E♭ – F – A – C♯

Scales to play over F7♯5

7Other presentations available

The same chord from every note

C7♯5 C♯7♯5 D7♯5 E♭7♯5 E7♯5 F♯7♯5 G7♯5 A♭7♯5 A7♯5 B♭7♯5 B7♯5

Other chords on F

F Fm Fdim Faug Fsus2 Fsus4 F5 F6 Fm6 F7 Fmaj7 Fm7 Fm7♭5 Fdim7 Fm(maj7) F7sus4 Fadd9 Fm(add9) F6/9 F9 Fmaj9 Fm9 F11 Fm11 F13 F7♭9 F7♯9 F7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.