Package leaflet · Information for the musician · Chord
F Diminished Chord (Fdim)
Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.
- Fdim
- 3 notes
- xx3404
1Composition: what it contains
F – A♭ – C♭
- Symbol
- Fdim
- Also written
- Fdim, F°, Fm♭5, Fmi(♭5)
- Formula
- 1 ♭3 ♭5
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | F | unison | 0 |
| ♭3 | A♭ | minor third | 3 |
| ♭5 | C♭ | diminished fifth | 6 |
2Appearance: diagrams and sound
On the guitar
xx3404open positionxx3464fret 3x-8-9-10-9-xfret 8x-x-15-13-12-13fret 12On the ukulele
4542fret 210-8-7-8fret 710-11-13-11fret 10On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.
4Dosage: how to practise it
On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.
5Warnings and common mistakes
Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · Fdim/A♭ · A♭ – C♭ – F
- Inversion 2 · Fdim/C♭ · C♭ – F – A♭
Scales to play over Fdim
- F Locrian Mode
- F Blues Scale
- F Half-Whole Diminished Scale
- F Whole-Half Diminished Scale
- F Hungarian Minor Scale
- E sharp Altered Scale
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Cdim C♯dim Ddim E♭dim Edim F♯dim Gdim A♭dim Adim B♭dim Bdim
Other chords on F
F Fm Faug Fsus2 Fsus4 F5 F6 Fm6 F7 Fmaj7 Fm7 Fm7♭5 Fdim7 Fm(maj7) F7sus4 Fadd9 Fm(add9) F6/9 F9 Fmaj9 Fm9 F11 Fm11 F13 F7♭9 F7♯9 F7♯5 F7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.