Package leaflet · Information for the musician · Chord
C sharp Diminished Chord (C♯dim)
Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.
- C♯dim
- 3 notes
- x42020
1Composition: what it contains
C♯ – E – G
- Symbol
- C♯dim
- Also written
- C♯dim, C♯°, C♯m♭5, C♯mi(♭5)
- Formula
- 1 ♭3 ♭5
- Same sound as
- D♭dim
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | C♯ | unison | 0 |
| ♭3 | E | minor third | 3 |
| ♭5 | G | diminished fifth | 6 |
2Appearance: diagrams and sound
On the guitar
x42020open positionx4565xfret 4x-x-11-9-8-9fret 8x-x-11-12-14-12fret 11On the ukulele
0104open position0404fret 46797fret 6On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.
4Dosage: how to practise it
On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.
5Warnings and common mistakes
Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · C♯dim/E · E – G – C♯
- Inversion 2 · C♯dim/G · G – C♯ – E
Scales to play over C♯dim
- C sharp Locrian Mode
- C sharp Blues Scale
- C sharp Half-Whole Diminished Scale
- C sharp Whole-Half Diminished Scale
- C sharp Hungarian Minor Scale
- C sharp Altered Scale
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Cdim Ddim E♭dim Edim Fdim F♯dim Gdim A♭dim Adim B♭dim Bdim
Other chords on C♯
C♯ C♯m C♯aug C♯sus2 C♯sus4 C♯5 C♯6 C♯m6 C♯7 C♯maj7 C♯m7 C♯m7♭5 C♯dim7 C♯m(maj7) C♯7sus4 C♯add9 C♯m(add9) C♯6/9 C♯9 C♯maj9 C♯m9 C♯11 C♯m11 C♯13 C♯7♭9 C♯7♯9 C♯7♯5 C♯7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.