Package leaflet · Information for the musician · Chord
F sharp Diminished Chord (F♯dim)
Tense, unstable and dark. Two stacked minor thirds create a diminished fifth that wants to resolve inward.
- F♯dim
- 3 notes
- 20421x
1Composition: what it contains
F♯ – A – C
- Symbol
- F♯dim
- Also written
- F♯dim, F♯°, F♯m♭5, F♯mi(♭5)
- Formula
- 1 ♭3 ♭5
- Same sound as
- G♭dim
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | F♯ | unison | 0 |
| ♭3 | A | minor third | 3 |
| ♭5 | C | diminished fifth | 6 |
2Appearance: diagrams and sound
On the guitar
20421xopen positionxx4575fret 4x-9-10-11-10-xfret 9On the ukulele
2020open position5653fret 311-9-8-9fret 8On the piano
On the staff
On bass and as an arpeggio
3Indications: what it is used for
The vii° chord of a major key and the ii° chord of a minor key are diminished triads. It works as a leading-tone chord resolving to the tonic (vii°–I), as a passing chord between two diatonic chords (for example between I and ii, or IV and V), and as an incomplete dominant seventh: the vii° triad contains the 3, 5 and 7 of V7. Classical, jazz, gospel and film music use it for tension and chromatic movement in the bass.
4Dosage: how to practise it
On piano, play the triad in all inversions at 60 BPM, then practise vii°6–I resolutions with smooth voice leading (the diminished fifth contracting to a third). On guitar, learn the compact three-string shapes on the top strings and the shape rooted on the fifth string. Practise the passing progression I–♯I°–ii–V slowly, then at 80–100 BPM. Arpeggiate 1-♭3-♭5 on bass. Five minutes a day is enough once the shapes are known.
5Warnings and common mistakes
Do not confuse the triad (dim) with the diminished seventh chord (dim7 or °7) or the half-diminished seventh (m7♭5 or ø7): many charts write 'dim' when they mean the four-note dim7, so check the style. The diminished fifth is not a perfect fifth; on guitar, power-chord habits make players play the wrong fifth. In root position the triad can sound harsh; first inversion is the most common classical voicing.
6Interactions with chords, scales and keys
Inversions
- Inversion 1 · F♯dim/A · A – C – F♯
- Inversion 2 · F♯dim/C · C – F♯ – A
Scales to play over F♯dim
- F sharp Locrian Mode
- F sharp Blues Scale
- F sharp Half-Whole Diminished Scale
- F sharp Whole-Half Diminished Scale
- F sharp Hungarian Minor Scale
- F sharp Altered Scale
Where it appears (keys and Roman numerals)
7Other presentations available
The same chord from every note
Cdim C♯dim Ddim E♭dim Edim Fdim Gdim A♭dim Adim B♭dim Bdim
Other chords on F♯
F♯ F♯m F♯aug F♯sus2 F♯sus4 F♯5 F♯6 F♯m6 F♯7 F♯maj7 F♯m7 F♯m7♭5 F♯dim7 F♯m(maj7) F♯7sus4 F♯add9 F♯m(add9) F♯6/9 F♯9 F♯maj9 F♯m9 F♯11 F♯m11 F♯13 F♯7♭9 F♯7♯9 F♯7♯5 F♯7♭5
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.