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Package leaflet · Information for the musician · Chord

F sharp Minor Chord (F♯m)

Soft, sad and introspective. Root, minor third and perfect fifth: the darker twin of the major triad.

  • F♯m
  • 3 notes
  • 20422x

1Composition: what it contains

F♯ – A – C♯

Symbol
F♯m
Also written
F♯m, F♯min, F♯-
Formula
1 ♭3 5
Same sound as
G♭m
DegreeNoteIntervalSemitones
1F♯unison0
♭3Aminor third3
5C♯perfect fifth7

2Appearance: diagrams and sound

On the guitar

F sharp Minor Chord (F♯m) – guitar chord diagram 1 (20422x)
20422xopen position
F sharp Minor Chord (F♯m) – guitar chord diagram 2 (244222)
244222fret 2
F sharp Minor Chord (F♯m) – guitar chord diagram 3 (xx4675)
xx4675fret 4
F sharp Minor Chord (F♯m) – guitar chord diagram 4 (x9767x)
x9767xfret 6
F sharp Minor Chord (F♯m) – guitar chord diagram 5 (x-9-11-11-10-9)
x-9-11-11-10-9fret 9

On the ukulele

F sharp Minor Chord (F♯m) – ukulele chord diagram 1 (2120)
2120open position
F sharp Minor Chord (F♯m) – ukulele chord diagram 2 (6654)
6654fret 4
F sharp Minor Chord (F♯m) – ukulele chord diagram 3 (6999)
6999fret 6

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

The ii, iii and vi chords of a major key and the i, iv and (natural) v chords of a minor key are minor triads. It anchors ballads, rock anthems, folk and film music; progressions like vi–IV–I–V, i–VI–III–VII and i–iv–v are built on it. The relative minor (vi) often substitutes for the tonic (I), and minor chords can be extended to m7, m9 or m6 depending on style. In blues-rock, a minor chord on the tonic often supports minor pentatonic soloing.

4Dosage: how to practise it

On guitar, learn the open minor shapes, the barre shapes rooted on the sixth and fifth strings, and three-string triads in all inversions. On piano, play the triad in root position and both inversions, hands separately and together, at 60–80 BPM. Then practise switching between a major chord and its parallel minor to hear the third change. Arpeggiate the chord on bass (1-♭3-5-8). Five minutes daily of i–iv–v and vi–IV–I–V loops will cement it.

5Warnings and common mistakes

The minor third is the only difference from the major chord: make sure your fingering lowers exactly that note. A lowercase 'm' means minor, while 'M' or 'maj' means major; misreading them is a common sight-reading error. A minus sign (-) is also minor. Do not confuse 'm' with 'dim': the diminished chord also lowers the fifth. In dense voicings, keep the minor third clearly audible or the chord becomes ambiguous.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · F♯m/A · A – C♯ – F♯
  • Inversion 2 · F♯m/C♯ · C♯ – F♯ – A

Scales to play over F♯m

Where it appears (keys and Roman numerals)

7Other presentations available

The same chord from every note

Cm C♯m Dm E♭m Em Fm Gm A♭m Am B♭m Bm

Other chords on F♯

F♯ F♯dim F♯aug F♯sus2 F♯sus4 F♯5 F♯6 F♯m6 F♯7 F♯maj7 F♯m7 F♯m7♭5 F♯dim7 F♯m(maj7) F♯7sus4 F♯add9 F♯m(add9) F♯6/9 F♯9 F♯maj9 F♯m9 F♯11 F♯m11 F♯13 F♯7♭9 F♯7♯9 F♯7♯5 F♯7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.