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Package leaflet · Information for the musician · Chord

G Major Ninth Chord (Gmaj9)

Lush, dreamy and luxurious. A major seventh chord with an added ninth, the sound of neo-soul and smooth jazz.

  • Gmaj9
  • 5 notes
  • 300002

1Composition: what it contains

G – B – D – F♯ – A

Symbol
Gmaj9
Also written
Gmaj9, GM9, GΔ9, Gma9
Formula
1 3 5 7 9
DegreeNoteIntervalSemitones
1Gunison0
3Bmajor third4
5Dperfect fifth7
7F♯major seventh11
9Amajor ninth14

2Appearance: diagrams and sound

On the guitar

G Major Ninth Chord (Gmaj9) – guitar chord diagram 1 (300002)
300002open position
G Major Ninth Chord (Gmaj9) – guitar chord diagram 2 (324232)
324232fret 2
G Major Ninth Chord (Gmaj9) – guitar chord diagram 3 (xx5475)
xx5475fret 4
G Major Ninth Chord (Gmaj9) – guitar chord diagram 4 (x-10-7-7-7-7)
x-10-7-7-7-7fret 7
G Major Ninth Chord (Gmaj9) – guitar chord diagram 5 (15-12-12-12-12-14)
15-12-12-12-12-14fret 12

On the ukulele

G Major Ninth Chord (Gmaj9) – ukulele chord diagram 1 (12-11-14-12)
12-11-14-12fret 11

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

The Imaj9 and IVmaj9 chords in jazz, neo-soul, R&B, bossa nova, city pop and lo-fi hip-hop. It is a colourful tonic at the end of a ii–V–I, and a common chord in dreamy progressions such as IVmaj9–iii7–ii9–Imaj9. Ionian or Lydian scales fit over it. In reharmonisation, it can replace a plain major triad whenever the melody is not holding the root against the major seventh. Neo-soul keyboardists like to stack it in wide, spread voicings across both hands for a soft pad sound.

4Dosage: how to practise it

On guitar, learn the shape rooted on the fifth string and the drop-2 shape with the ninth on top. On piano, play rootless left-hand voicings (3-5-7-9) and two-hand voicings (root-7 in the left, 3-5-9 in the right). Practise ii9–V13–Imaj9 at 70–120 BPM in all keys. Arpeggiate the chord in two octaves (1-3-5-7-9). Ten minutes daily, including neo-soul progressions. On bass, outline 1-5-7 and leave the ninth to the harmony instruments. Experiment with Lydian colour by adding the ♯11 on top.

5Warnings and common mistakes

Do not confuse maj9 with 9 (dominant, flat seventh) or add9 (no seventh). Avoid voicing the root a minor ninth above the major seventh, which sounds harsh. On guitar, the fifth is often omitted. The ninth and the third in the same octave can sound dense, so spread them. If the melody contains the fourth, it may clash; check before substituting.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · Gmaj9/B · B – D – F♯ – A – G
  • Inversion 2 · Gmaj9/D · D – F♯ – A – G – B
  • Inversion 3 · Gmaj9/F♯ · F♯ – A – G – B – D
  • Inversion 4 · Gmaj9/A · A – G – B – D – F♯

Scales to play over Gmaj9

7Other presentations available

The same chord from every note

Cmaj9 C♯maj9 Dmaj9 E♭maj9 Emaj9 Fmaj9 F♯maj9 A♭maj9 Amaj9 B♭maj9 Bmaj9

Other chords on G

G Gm Gdim Gaug Gsus2 Gsus4 G5 G6 Gm6 G7 Gmaj7 Gm7 Gm7♭5 Gdim7 Gm(maj7) G7sus4 Gadd9 Gm(add9) G6/9 G9 Gm9 G11 Gm11 G13 G7♭9 G7♯9 G7♯5 G7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.