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Package leaflet · Information for the musician · Chord

D Seventh Flat Nine Chord (D7♭9)

Dark, dramatic and exotic. A dominant seventh with a flat ninth, full of tension that resolves strongly, especially to minor.

  • D7♭9
  • 5 notes
  • x54545

1Composition: what it contains

D – F♯ – A – C – E♭

Symbol
D7♭9
Also written
D7♭9, D7(♭9), D7-9
Formula
1 3 5 ♭7 ♭9
DegreeNoteIntervalSemitones
1Dunison0
3F♯major third4
5Aperfect fifth7
♭7Cminor seventh10
♭9E♭minor ninth13

2Appearance: diagrams and sound

On the guitar

D Seventh Flat Nine Chord (D7♭9) – guitar chord diagram 1 (x54545)
x54545fret 4
D Seventh Flat Nine Chord (D7♭9) – guitar chord diagram 2 (10-12-10-11-10-11)
10-12-10-11-10-11fret 10

On the ukulele

D Seventh Flat Nine Chord (D7♭9) – ukulele chord diagram 1 (5325)
5325fret 2
D Seventh Flat Nine Chord (D7♭9) – ukulele chord diagram 2 (8685)
8685fret 5

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

The V7♭9 chord of a minor key, resolving to i: it comes from harmonic minor (or phrygian dominant on the fifth degree). Used in jazz (minor ii–V–i), classical, flamenco, tango, gospel and film music. It can be used in major keys for extra tension, and the diminished seventh chord a half step above its root is the same chord without its root. Half-whole diminished or phrygian dominant are typical scales over it.

4Dosage: how to practise it

On guitar, learn the four-string shape rooted on the fifth string, and practise the trick of playing a diminished seventh shape over the root. On piano, play rootless voicings 3-♭7-♭9 and the 13♭9 voicing. Practise iiø7–V7♭9–im at 60–120 BPM in all keys, with smooth voice leading. Arpeggiate 1-3-5-♭7-♭9. Ten minutes daily. On guitar, practise resolving the ♭9 down by half step to the fifth of the target minor chord. Compare the chord with plain dominant sevenths and with 7♯9 to hear the difference in tension.

5Warnings and common mistakes

Avoid voicing the root and the flat ninth a half step apart: keep the root in the bass and the ♭9 high in the voicing. Do not confuse 7♭9 with dim7, which shares notes but has no root. Do not use it when the melody holds the natural ninth. The symbol '7-9' can be misread; prefer 7♭9. Avoid mixing the flat ninth with a natural ninth in the same voicing.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · D7♭9/F♯ · F♯ – A – C – E♭ – D
  • Inversion 2 · D7♭9/A · A – C – E♭ – D – F♯
  • Inversion 3 · D7♭9/C · C – E♭ – D – F♯ – A
  • Inversion 4 · D7♭9/E♭ · E♭ – D – F♯ – A – C

Scales to play over D7♭9

7Other presentations available

The same chord from every note

C7♭9 C♯7♭9 E♭7♭9 E7♭9 F7♭9 F♯7♭9 G7♭9 A♭7♭9 A7♭9 B♭7♭9 B7♭9

Other chords on D

D Dm Ddim Daug Dsus2 Dsus4 D5 D6 Dm6 D7 Dmaj7 Dm7 Dm7♭5 Ddim7 Dm(maj7) D7sus4 Dadd9 Dm(add9) D6/9 D9 Dmaj9 Dm9 D11 Dm11 D13 D7♯9 D7♯5 D7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.