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Package leaflet · Information for the musician · Chord

B flat Added Ninth Chord (B♭add9)

Shimmering, open and modern. A major triad with an added ninth but no seventh, bright without jazz complexity.

  • B♭add9
  • 4 notes
  • x10311

1Composition: what it contains

B♭ – D – F – C

Symbol
B♭add9
Also written
B♭add9, B♭add2, B♭(add9)
Formula
1 3 5 9
Same sound as
A♯add9
DegreeNoteIntervalSemitones
1B♭unison0
3Dmajor third4
5Fperfect fifth7
9Cmajor ninth14

2Appearance: diagrams and sound

On the guitar

B flat Added Ninth Chord (B♭add9) – guitar chord diagram 1 (x10311)
x10311open position
B flat Added Ninth Chord (B♭add9) – guitar chord diagram 2 (633336)
633336fret 3
B flat Added Ninth Chord (B♭add9) – guitar chord diagram 3 (xx8768)
xx8768fret 6
B flat Added Ninth Chord (B♭add9) – guitar chord diagram 4 (x-13-10-10-11-10)
x-13-10-10-11-10fret 10
B flat Added Ninth Chord (B♭add9) – guitar chord diagram 5 (x-13-12-15-13-x)
x-13-12-15-13-xfret 12

On the ukulele

B flat Added Ninth Chord (B♭add9) – ukulele chord diagram 1 (3213)
3213fret 1
B flat Added Ninth Chord (B♭add9) – ukulele chord diagram 2 (5565)
5565fret 5
B flat Added Ninth Chord (B♭add9) – ukulele chord diagram 3 (7-10-8-8)
7-10-8-8fret 7

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Very popular in pop, rock, worship, singer-songwriter and acoustic styles as a richer version of a major chord on I, IV or V. It adds colour without changing the function of the triad. Guitarists use it in open-string voicings and arpeggiated patterns; pianists use it in ballads and pads. It can replace a plain major chord almost anywhere the melody does not hold the second degree against it. In film music it creates a hopeful, open sound.

4Dosage: how to practise it

On guitar, learn the open shapes (with the ninth on an open or fretted string) and the movable shape rooted on the fifth string; play arpeggio patterns across four strings at 70–90 BPM. On piano, play root-2-3-5 in close position and spread voicings (root-5 in the left hand, 9-3 in the right). Practise progressions like I–V–vi–IV with all chords as add9. Five minutes daily. Compare each add9 with the plain triad and with the sus2 version to train your ear to the presence of the third.

5Warnings and common mistakes

Do not confuse add9 with a ninth chord (9), which includes the flat seventh, or with sus2, which omits the third. The ninth placed directly next to the third (a major second apart) can sound muddy in low registers; voice it higher. 'Add2' usually means the same notes with the second placed within the octave. Avoid doubling the ninth. In strummed guitar parts, make sure the ninth actually sounds and is not muted by a neighbouring finger.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · B♭add9/D · D – F – C – B♭
  • Inversion 2 · B♭add9/F · F – C – B♭ – D
  • Inversion 3 · B♭add9/C · C – B♭ – D – F

Scales to play over B♭add9

7Other presentations available

The same chord from every note

Cadd9 C♯add9 Dadd9 E♭add9 Eadd9 Fadd9 F♯add9 Gadd9 A♭add9 Aadd9 Badd9

Other chords on B♭

B♭ B♭m B♭dim B♭aug B♭sus2 B♭sus4 B♭5 B♭6 B♭m6 B♭7 B♭maj7 B♭m7 B♭m7♭5 B♭dim7 B♭m(maj7) B♭7sus4 B♭m(add9) B♭6/9 B♭9 B♭maj9 B♭m9 B♭11 B♭m11 B♭13 B♭7♭9 B♭7♯9 B♭7♯5 B♭7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.