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Package leaflet · Information for the musician · Chord

B Minor Sixth Chord (Bm6)

Dark, elegant and mysterious. A minor triad with a major sixth, giving a film-noir or gypsy-jazz flavour.

  • Bm6
  • 4 notes
  • x20102

1Composition: what it contains

B – D – F♯ – G♯

Symbol
Bm6
Also written
Bm6, Bmin6, B-6
Formula
1 ♭3 5 6
DegreeNoteIntervalSemitones
1Bunison0
♭3Dminor third3
5F♯perfect fifth7
6G♯major sixth9

2Appearance: diagrams and sound

On the guitar

B Minor Sixth Chord (Bm6) – guitar chord diagram 1 (x20102)
x20102open position
B Minor Sixth Chord (Bm6) – guitar chord diagram 2 (754474)
754474fret 4
B Minor Sixth Chord (Bm6) – guitar chord diagram 3 (799797)
799797fret 7
B Minor Sixth Chord (Bm6) – guitar chord diagram 4 (x-x-9-11-9-10)
x-x-9-11-9-10fret 9
B Minor Sixth Chord (Bm6) – guitar chord diagram 5 (x-14-12-13-12-14)
x-14-12-13-12-14fret 12

On the ukulele

B Minor Sixth Chord (Bm6) – ukulele chord diagram 1 (1222)
1222fret 1
B Minor Sixth Chord (Bm6) – ukulele chord diagram 2 (4645)
4645fret 4
B Minor Sixth Chord (Bm6) – ukulele chord diagram 3 (7879)
7879fret 7

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Used as a tonic minor chord in jazz, gypsy jazz, bossa nova, tango and film music, often instead of a minor seventh. It is the i chord built from the melodic minor or Dorian scale, and the iv chord in a minor key (where it is a common pre-dominant). The minor sixth chord shares its notes with the half-diminished chord built on its sixth, which gives interesting reharmonisation possibilities. It also appears in cadences such as iv6–I in major keys (a borrowed minor four).

4Dosage: how to practise it

On guitar, learn the four-string shape rooted on the fifth string and the gypsy-jazz shape with the sixth on top; play them with a light swing at 120–180 BPM. On piano, play root-♭3-5-6 in all inversions and practise the minor line cliché (i–imMaj7–im7–im6). Practise iv6–I endings in major keys. On bass, arpeggiate 1-♭3-5-6. Ten minutes daily, alternating with m7 and mMaj7 to hear the colours. On guitar, also try the tonic m6 as a final chord at the end of a minor tune.

5Warnings and common mistakes

The sixth is major, not minor: m6 is not 'minor with a flat sixth'. Do not confuse it with m7♭5: same notes, different root, so the bass decides the name. In minor keys built on natural minor, the sixth degree is flat, so an m6 tonic implies melodic minor or Dorian. Avoid it if the melody contains the flat sixth. Some charts write 'm6' meaning m6/9; check the melody.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · Bm6/D · D – F♯ – G♯ – B
  • Inversion 2 · Bm6/F♯ · F♯ – G♯ – B – D
  • Inversion 3 · Bm6/G♯ · G♯ – B – D – F♯

Scales to play over Bm6

7Other presentations available

The same chord from every note

Cm6 C♯m6 Dm6 E♭m6 Em6 Fm6 F♯m6 Gm6 A♭m6 Am6 B♭m6

Other chords on B

B Bm Bdim Baug Bsus2 Bsus4 B5 B6 B7 Bmaj7 Bm7 Bm7♭5 Bdim7 Bm(maj7) B7sus4 Badd9 Bm(add9) B6/9 B9 Bmaj9 Bm9 B11 Bm11 B13 B7♭9 B7♯9 B7♯5 B7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.