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Package leaflet · Information for the musician · Chord

B Minor Eleventh Chord (Bm11)

Open, cool and modern. A minor seventh chord extended with the ninth and eleventh, creating a spacious, fourths-based sound.

  • Bm11
  • 6 notes
  • x20200

1Composition: what it contains

B – D – F♯ – A – C♯ – E

Symbol
Bm11
Also written
Bm11, Bmin11, B-11, Bmi11
Formula
1 ♭3 5 ♭7 9 11
DegreeNoteIntervalSemitones
1Bunison0
♭3Dminor third3
5F♯perfect fifth7
♭7Aminor seventh10
9C♯major ninth14
11Eperfect eleventh17

2Appearance: diagrams and sound

On the guitar

B Minor Eleventh Chord (Bm11) – guitar chord diagram 1 (x20200)
x20200open position
B Minor Eleventh Chord (Bm11) – guitar chord diagram 2 (x22232)
x22232fret 2
B Minor Eleventh Chord (Bm11) – guitar chord diagram 3 (757655)
757655fret 5
B Minor Eleventh Chord (Bm11) – guitar chord diagram 4 (777777)
777777fret 7
B Minor Eleventh Chord (Bm11) – guitar chord diagram 5 (x-14-14-14-15-14)
x-14-14-14-15-14fret 14

On the ukulele

B Minor Eleventh Chord (Bm11) – ukulele chord diagram 1 (4200)
4200open position
B Minor Eleventh Chord (Bm11) – ukulele chord diagram 2 (4455)
4455fret 4
B Minor Eleventh Chord (Bm11) – ukulele chord diagram 3 (7977)
7977fret 7

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Used in modal jazz, fusion, neo-soul, funk, R&B and ambient, especially on Dorian or Aeolian minor vamps, and as ii11 in a ii–V–I. Because the eleventh does not clash with the minor third, all six chord tones can be used. It is often voiced in fourths (quartal voicings), which gives a modern, open colour typical of modal jazz piano. Dorian is the ideal scale over it. Guitarists often voice it with open strings for a ringing ambient pad.

4Dosage: how to practise it

On piano, practise quartal voicings (stacked fourths) in the right hand over the root in the left, and rootless voicings ♭3-♭7-9-11. On guitar, learn the shape rooted on the fifth string and the shape rooted on the sixth string with the fifth string muted, plus four-string quartal shapes. Practise a modal vamp of two minor eleventh chords a whole step apart at 80–110 BPM. Five to ten minutes daily. Improvise with Dorian over the chord.

5Warnings and common mistakes

Do not confuse m11 with the dominant 11 chord, where the major third clashes with the eleventh. With all six notes voiced close together the chord sounds muddy; omit the fifth or the root. The eleventh is a perfect fourth an octave up, not an augmented fourth. Some charts write 'm7(11)'; it is the same chord, but sometimes without the ninth.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · Bm11/D · D – F♯ – A – C♯ – E – B
  • Inversion 2 · Bm11/F♯ · F♯ – A – C♯ – E – B – D
  • Inversion 3 · Bm11/A · A – C♯ – E – B – D – F♯
  • Inversion 4 · Bm11/C♯ · C♯ – E – B – D – F♯ – A
  • Inversion 5 · Bm11/E · E – B – D – F♯ – A – C♯

Scales to play over Bm11

7Other presentations available

The same chord from every note

Cm11 C♯m11 Dm11 E♭m11 Em11 Fm11 F♯m11 Gm11 A♭m11 Am11 B♭m11

Other chords on B

B Bm Bdim Baug Bsus2 Bsus4 B5 B6 Bm6 B7 Bmaj7 Bm7 Bm7♭5 Bdim7 Bm(maj7) B7sus4 Badd9 Bm(add9) B6/9 B9 Bmaj9 Bm9 B11 B13 B7♭9 B7♯9 B7♯5 B7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.