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Package leaflet · Information for the musician · Chord

C Minor Sixth Chord (Cm6)

Dark, elegant and mysterious. A minor triad with a major sixth, giving a film-noir or gypsy-jazz flavour.

  • Cm6
  • 4 notes
  • x31213

1Composition: what it contains

C – E♭ – G – A

Symbol
Cm6
Also written
Cm6, Cmin6, C-6
Formula
1 ♭3 5 6
DegreeNoteIntervalSemitones
1Cunison0
♭3E♭minor third3
5Gperfect fifth7
6Amajor sixth9

2Appearance: diagrams and sound

On the guitar

C Minor Sixth Chord (Cm6) – guitar chord diagram 1 (x31213)
x31213fret 1
C Minor Sixth Chord (Cm6) – guitar chord diagram 2 (865585)
865585fret 5
C Minor Sixth Chord (Cm6) – guitar chord diagram 3 (8-10-10-8-10-8)
8-10-10-8-10-8fret 8
C Minor Sixth Chord (Cm6) – guitar chord diagram 4 (x-x-10-12-10-11)
x-x-10-12-10-11fret 10
C Minor Sixth Chord (Cm6) – guitar chord diagram 5 (x-15-13-14-13-15)
x-15-13-14-13-15fret 13

On the ukulele

C Minor Sixth Chord (Cm6) – ukulele chord diagram 1 (2333)
2333fret 2
C Minor Sixth Chord (Cm6) – ukulele chord diagram 2 (5756)
5756fret 5
C Minor Sixth Chord (Cm6) – ukulele chord diagram 3 (8-9-8-10)
8-9-8-10fret 8

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Used as a tonic minor chord in jazz, gypsy jazz, bossa nova, tango and film music, often instead of a minor seventh. It is the i chord built from the melodic minor or Dorian scale, and the iv chord in a minor key (where it is a common pre-dominant). The minor sixth chord shares its notes with the half-diminished chord built on its sixth, which gives interesting reharmonisation possibilities. It also appears in cadences such as iv6–I in major keys (a borrowed minor four).

4Dosage: how to practise it

On guitar, learn the four-string shape rooted on the fifth string and the gypsy-jazz shape with the sixth on top; play them with a light swing at 120–180 BPM. On piano, play root-♭3-5-6 in all inversions and practise the minor line cliché (i–imMaj7–im7–im6). Practise iv6–I endings in major keys. On bass, arpeggiate 1-♭3-5-6. Ten minutes daily, alternating with m7 and mMaj7 to hear the colours. On guitar, also try the tonic m6 as a final chord at the end of a minor tune.

5Warnings and common mistakes

The sixth is major, not minor: m6 is not 'minor with a flat sixth'. Do not confuse it with m7♭5: same notes, different root, so the bass decides the name. In minor keys built on natural minor, the sixth degree is flat, so an m6 tonic implies melodic minor or Dorian. Avoid it if the melody contains the flat sixth. Some charts write 'm6' meaning m6/9; check the melody.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · Cm6/E♭ · E♭ – G – A – C
  • Inversion 2 · Cm6/G · G – A – C – E♭
  • Inversion 3 · Cm6/A · A – C – E♭ – G

Scales to play over Cm6

7Other presentations available

The same chord from every note

C♯m6 Dm6 E♭m6 Em6 Fm6 F♯m6 Gm6 A♭m6 Am6 B♭m6 Bm6

Other chords on C

C Cm Cdim Caug Csus2 Csus4 C5 C6 C7 Cmaj7 Cm7 Cm7♭5 Cdim7 Cm(maj7) C7sus4 Cadd9 Cm(add9) C6/9 C9 Cmaj9 Cm9 C11 Cm11 C13 C7♭9 C7♯9 C7♯5 C7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.