Package leaflet · Information for the musician · Scale
E Minor Pentatonic Scale
Raw, punchy and bluesy. Five notes with no half steps make it the most forgiving and expressive scale for bends and riffs.
- 5 notes
- no sharps or flats
- pentatonic
1Composition: what it contains
E – G – A – B – D
- Formula
- 1 ♭3 4 5 ♭7
- Steps
- W+H – W – W – W+H – W
- Number of notes
- 5
- Sharps and flats
- no sharps or flats
- Also called
- pentatonic minor, rock scale
| Degree | Note | Interval | Semitones |
|---|---|---|---|
| 1 | E | unison | 0 |
| ♭3 | G | minor third | 3 |
| 4 | A | perfect fourth | 5 |
| 5 | B | perfect fifth | 7 |
| ♭7 | D | minor seventh | 10 |
2Appearance: diagrams and sound
Tip: click any note, key or fret to hear it. Orange = root.
3Indications: what it is used for
The first scale most guitarists learn, central to blues, rock, hard rock, funk, soul and R&B. It works over minor chords and minor progressions, over the whole twelve-bar blues (even with dominant chords, as a 'blue' minor-third colour), over power chord riffs, and over Dorian or Aeolian minor vamps. Its degrees are 1-♭3-4-5-♭7. It is the core of countless riffs and bass lines, and adding the flat fifth turns it into the blues scale.
4Dosage: how to practise it
Ten to fifteen minutes daily. Start at 60 BPM in eighth notes in the first box, then learn all five positions across the neck. Practise sequences of three and four, and string-skipping patterns. Work on whole-step bends (4 up to 5, ♭7 up to the root), slight bends on the minor third, vibrato and hammer-ons. On bass, use it for grooves built on 1-♭7-1 and 1-♭3-4. On piano, play left-hand root-fifth patterns and improvise phrases of two bars.
5Warnings and common mistakes
Do not get stuck running up and down the box: phrase with rests and target chord tones. Over a major chord, the minor third is a 'blue note' that should be bent slightly toward the major third or resolved to it. It does not fit major seventh chords. Beginners often over-bend; check pitch with a reference note. It lacks the second and sixth, so for Dorian or Aeolian colours you must add them.
6Interactions with chords, scales and keys
Chords that fit this scale
Same notes, different starting point
7Other presentations available
The same scale from every note
- C Minor Pentatonic Scale
- C sharp Minor Pentatonic Scale
- D Minor Pentatonic Scale
- E flat Minor Pentatonic Scale
- F Minor Pentatonic Scale
- F sharp Minor Pentatonic Scale
- G Minor Pentatonic Scale
- G sharp Minor Pentatonic Scale
- A Minor Pentatonic Scale
- B flat Minor Pentatonic Scale
- B Minor Pentatonic Scale
Other scales from the same note
- E Major Scale
- E Natural Minor Scale
- E Harmonic Minor Scale
- E Melodic Minor Scale
- E Dorian Mode
- E Phrygian Mode
- E Lydian Mode
- E Mixolydian Mode
- E Locrian Mode
- E Major Pentatonic Scale
- E Blues Scale
- E Major Blues Scale
- E Whole Tone Scale
- E Half-Whole Diminished Scale
- E Whole-Half Diminished Scale
- E Phrygian Dominant Scale
- E Hungarian Minor Scale
- E Lydian Dominant Scale
- E Altered Scale
- E Double Harmonic Major Scale
- E Bebop Dominant Scale
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.