Package leaflet · Information for the musician · Interval
Major Seventh Interval
Eleven half steps, a half step below the octave. Bright, tense and shimmering, it leans strongly upward into the octave.
- 11 semitones
1Composition: what it contains
- Semitones
- 11
- Abbreviation
- M7
- Inversion
- minor second
- Consonance
- dissonance
| From | To | Listen |
|---|---|---|
| C | B | |
| C♯ | B♯ | |
| D | C♯ | |
| E♭ | D | |
| E | D♯ | |
| F | E | |
| F♯ | E♯ | |
| G | F♯ | |
| A♭ | G | |
| A | G♯ | |
| B♭ | A | |
| B | A♯ |
2Appearance: diagrams and sound
3Indications: what it is used for
The major seventh between root and seventh defines major seventh and minor-major seventh chords, the lush sound of jazz, bossa nova and neo-soul. As the leading tone of major and harmonic minor scales, it pulls up to the tonic. It appears in Lydian and Ionian modes. Played melodically as a leap it sounds wide and modern. Inverted, it becomes a minor second, which is why it can sound dissonant in close voicings.
4Dosage: how to practise it
On guitar, eleven frets on one string, or one fret higher two strings up (two frets higher when crossing the third and second strings). On piano, eleven half steps. Sing it as a half step below the octave and check by singing the octave first. Play major seventh chords and isolate the root and seventh. Train it daily for three minutes with an ear trainer, comparing it with the minor seventh and the octave.
5Warnings and common mistakes
Do not confuse it with the diminished octave, which sounds the same but is spelled with the same letter. In chord symbols, the major seventh is written maj7, M7 or Δ, never just 7. It can be mistaken for an out-of-tune octave by inexperienced ears. In close voicings the root above the major seventh creates a sharp clash; spread them.
6Other presentations available
Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.