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Package leaflet · Information for the musician · Chord

A Dominant Ninth Chord (A9)

Funky, rich and smooth. A dominant seventh with an added major ninth, less bluesy and more colourful than the plain seventh.

  • A9
  • 5 notes
  • x02423

1Composition: what it contains

A – C♯ – E – G – B

Symbol
A9
Also written
A9, A7(9), Adom9
Formula
1 3 5 ♭7 9
DegreeNoteIntervalSemitones
1Aunison0
3C♯major third4
5Eperfect fifth7
♭7Gminor seventh10
9Bmajor ninth14

2Appearance: diagrams and sound

On the guitar

A Dominant Ninth Chord (A9) – guitar chord diagram 1 (x02423)
x02423open position
A Dominant Ninth Chord (A9) – guitar chord diagram 2 (522223)
522223fret 2
A Dominant Ninth Chord (A9) – guitar chord diagram 3 (575657)
575657fret 5
A Dominant Ninth Chord (A9) – guitar chord diagram 4 (x-12-9-12-10-9)
x-12-9-12-10-9fret 9
A Dominant Ninth Chord (A9) – guitar chord diagram 5 (x-12-11-12-12-x)
x-12-11-12-12-xfret 11

On the ukulele

A Dominant Ninth Chord (A9) – ukulele chord diagram 1 (4130)
4130open position
A Dominant Ninth Chord (A9) – ukulele chord diagram 2 (4754)
4754fret 4
A Dominant Ninth Chord (A9) – ukulele chord diagram 3 (12-11-9-12)
12-11-9-12fret 9

On the piano

Piano keyboard

On the staff

Treble clef

On bass and as an arpeggio

Chord tones on the bass neck
Bass pattern: root and fifth
Bass arpeggio
Chord tones on the guitar neck (degrees)

3Indications: what it is used for

Used on dominant chords in funk, soul, R&B, jazz, gospel and blues. It is the V9 in a ii–V–I, a staple of funk rhythm guitar on one-chord vamps, and the I9 and IV9 chords in jazz blues. It substitutes for any dominant seventh when the melody does not contain the flat ninth. Mixolydian is the typical scale over it. In big-band arrangements it is a common voicing for dominant chords.

4Dosage: how to practise it

On guitar, learn the four-string shape rooted on the fifth string (which omits the fifth) and practise sixteenth-note funk strumming at 90–110 BPM with chord slides from a half step below. On piano, play rootless voicings (3-5-♭7-9 and ♭7-9-3-5) in the left hand. Practise ii9–V9–Imaj9 progressions. Arpeggiate 1-3-5-♭7-9 on bass. Ten minutes daily. Practise a one-chord funk vamp for three minutes, then a twelve-bar blues with all ninth chords, sliding each shape from a fret below.

5Warnings and common mistakes

Do not confuse 9 with add9 (no seventh) or maj9 (major seventh). The symbol '9' alone implies the flat seventh. On guitar, the fifth is usually omitted in ninth voicings; the third and seventh must stay. Avoid playing the ninth in a low register or adjacent to the root at the bottom. If the melody holds the flat ninth (for example in minor keys), use 7♭9 instead.

6Interactions with chords, scales and keys

Inversions

  • Inversion 1 · A9/C♯ · C♯ – E – G – B – A
  • Inversion 2 · A9/E · E – G – B – A – C♯
  • Inversion 3 · A9/G · G – B – A – C♯ – E
  • Inversion 4 · A9/B · B – A – C♯ – E – G

Scales to play over A9

7Other presentations available

The same chord from every note

C9 C♯9 D9 E♭9 E9 F9 F♯9 G9 A♭9 B♭9 B9

Other chords on A

A Am Adim Aaug Asus2 Asus4 A5 A6 Am6 A7 Amaj7 Am7 Am7♭5 Adim7 Am(maj7) A7sus4 Aadd9 Am(add9) A6/9 Amaj9 Am9 A11 Am11 A13 A7♭9 A7♯9 A7♯5 A7♭5

Read this leaflet carefully before playing. Keep it near your instrument. Free to use, print and share for personal and educational use.